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Stage Works
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The Firebird (1909/10): Fairy-Tale Ballet In 2 ScenesConductor – Pierre BoulezOrchestra – The Chicago Symphony Orchestra |
| 1-1 |
Introduction |
2:32
|
| 1-2 |
Scene 1: Kashchei's Magic Garden |
1:47
|
| 1-3 |
Scene 1: Appearance Of The Firebird, Pursued By Ivan-Tsarevich |
2:26
|
| 1-4 |
Scene 1: Dance Of The Firebird |
1:22
|
| 1-5 |
Scene 1: Ivan-Tsarevich Captures The Firebird |
0:53
|
| 1-6 |
Scene 1: The Firebird's Entreaties - Appearance Of The Thirteen Enchanted Princesses |
8:14
|
| 1-7 |
Scene 1: The Princesses' Game With The Golden Apples (Scherzo) |
2:25
|
| 1-8 |
Scene 1: Sudden Appearance Of Ivan-Tsarevich |
1:37
|
| 1-9 |
Scene 1: The Princesses' Khorovod (Round Dance) |
3:43
|
| 1-10 |
Scene 1: Daybreak - Ivan-Tsarevich Enters Kashchei's Palace |
1:32
|
| 1-11 |
Scene 1: Magic Carillion, Appearance Of Kashchei's Guardian Monsters And The Capture Of Ivan-Tsarevich - Arrival Of Kashchei The Immortal - Kashchei's Dialogue With Ivan-Tsarevich - Intercession Of The Princesses - Appearance Of The Firebird |
5:41
|
| 1-12 |
Scene 1: Dance Of The Kashchei's Retinue, Under The Firebird's Spell |
0:45
|
| 1-13 |
Scene 1: Infernal Dance Of All Of Kashchei's Subjects |
4:43
|
| 1-14 |
Scene 1: Lullaby (The Firebird) - Kashchei Wakes Up - Death Of Kashchei - Deep Shadows |
5:17
|
| 1-15 |
Scene 2: Disappearance Of The Palace And Dissolution Of Kashchei's Enchantments; Animation Of The Petrified Knights; General Rejoicing |
3:13
|
Petrushka (1910/1): Burlesque In 4 ScenesConductor – Pierre BoulezOrchestra – The Cleveland Orchestra |
| 2-1 |
Scene 1: The Shrovetide Fair - Legerdemain Scene - Russian Dance |
9:57
|
| 2-2 |
Scene 2: Petrushka's Room |
4:30
|
| 2-3 |
Scene 3: The Moor's Room - Dance Of The Ballerina - Waltz: The Ballerina And The Moor - Petrushka |
7:02
|
| 2-4 |
Scene 4: The Shrovetide Fair - Dance Of The Nursemaids - The Peasant And The Bear - The Jovial Merchant With Two Gypsy Girls - Dance Of The Coachmen And Grooms - The Masqueraders - The Fight: The Moor And Petrushka - Death Of Petrushka |
13:29
|
The Rite Of Spring (1911-13): Scenes Of Pagan Russia In 2 PartsConductor – Pierre BoulezOrchestra – The Cleveland Orchestra |
| 2-5 |
Part 1: The Adoration Of The Earth: Introduction - The Augurs Of Spring (Dances Of The Young Girls) - Game Of Abduction - Spring Rounds - Games Of The Rival Tribes - Procession Of The Sage - Adoration Of The Earth - The Sage - Dance Of The Earth |
15:55
|
| 2-6 |
Part 2: The Sacrifice: Introduction - Mystic Circles Of The Young Girls - Glorification Of The Chosen One - Evocation Of The Ancestors - Ritual Action Of The Ancestors - Sacrificial Dance (The Chosen One) |
17:27
|
Le Rossignol - Lyric Tale In 3 Acts (1908-14)Baritone Vocals [The Emperor Of China] – Neil HowlettBass Vocals [Japanese Envoy] – Brindley SherrattBass Vocals [The Bonze] – Michael George Bass Vocals [The Chamberlaine] – John Tomlinson Chorus – BBC SingersConductor – Pierre BoulezContralto Vocals [Death] – Elizabeth LaurenceLibretto By, Adapted By (Text) – Igor Stravinsky, Stepan MitousovOrchestra – BBC Symphony OrchestraSoprano Vocals [The Cook] – Felicity PalmerSoprano Vocals [The Nightingale] – Phyllis Bryn-JulsonTenor Vocals [Japanese Envoy] – Gareth Roberts, Ian Kennedy Tenor Vocals [The Fisherman] – Ian CaleyText By – Hans Christian Andersen |
| 3-1 |
Act I: Introduction |
3:24
|
| 3-2 |
Act I: "Nevod Brosal Nebesnyy Dukh" (Fisherman) |
4:22
|
| 3-3 |
Act I: "Akh! S Neba Vysoty Blesnuv" (Nightingale, Fisherman) |
2:28
|
| 3-4 |
Act I: "Vot I Dostigli My Opushki Lesa" (Cook, Chorus, Chamberlain, Bonze, Nightingale) |
4:15
|
| 3-5 |
Act I: "Akh! Pen'yu Solov'ya Vsego Priyatneye Vnimat'" (Nightingale, Chorus, Bonze, Chamberlain, Fisherman) |
2:52
|
| 3-6 |
Act II: Entr'acte (Courants D'Air) - "Ognya, Ognya" (Chorus, Cook, Chamberlain) |
2:15
|
| 3-7 |
Act II: Marche Chinoise - "Velikiy Imperator" (Chamberlain) |
3:36
|
| 3-8 |
Act II: Chant Du Rossignol - "Akh! Serdtse Dobroye" (Nightingale, Emperor, Chorus, Chamberlain, Japanese Envoys) |
5:37
|
| 3-9 |
Act II: Jeu Du Rossignol Mécanique - "Tsk, Tsk, Tsk, Tsk..." (Chorus, Emperor, Chamberlain, Fisherman's Voice) |
3:47
|
| 3-10 |
Act III: Introduction - "My Vse Pred Toboy" (Chorus, Emperor, Nightingale) |
6:17
|
| 3-11 |
Act III: "Mne Slushat' Nravitsya" (Death, Nightingale, Emperor) |
4:52
|
| 3-12 |
Act III: Cortège Solennel - "Zdravstvuyte" (Emperor, Fisherman's Voice) |
2:21
|
Le Chant Du Rossignol - Symphonic Poem Conductor – Pierre BoulezOrchestra – The Cleveland Orchestra |
| 3-13 |
Introduction |
2:25
|
| 3-14 |
Marche Chinoise |
3:29
|
| 3-15 |
Chant Du Rossignol |
3:32
|
| 3-16 |
Jeu Du Rossignol Mécanique |
11:20
|
| 4-1 |
Renard (1915/6): A Burlesque In Song And DanceBaritone Vocals – Derek Hammond-StroudBass Vocals – Robert Lloyd Conductor – Riccardo ChaillyLibretto By, Adapted By (Text) – Igor StravinskyOrchestra – London SinfoniettaTenor Vocals – Neil Jenkins, Philip LangridgeText By – Alexander Afanasyev |
16:15
|
The Soldier's Tale : To Be Read, Played And Danced In 2 PartsEnsemble – Boston Symphony Chamber PlayersLibretto By – Charles-Ferdinand RamuzNarrator – John GielgudSpeech [The Devil] – Ron MoodySpeech [The Soldier] – Tom CourtenayTranslated By – Kitty Black, Michael Flanders |
| 4-2 |
Part 1: The Soldier's March - "Down A Hot And Dusty Road" (Narrator) |
1:47
|
| 4-3 |
Part 1: "Phew, This Isn't A Bad Sort Of Spot" (Narrator, Soldier) |
0:58
|
| 4-4 |
Part 1: Music For Scene 1: Airs By A Stream |
2:27
|
| 4-5 |
Part 1: "Enter The Devil" (Narrator, Devil, Soldier) |
4:01
|
| 4-6 |
Part 1: The Soldier's March - "Down A Hot And Dusty Road" (Narrator) |
1:33
|
| 4-7 |
Part 1: "Hurray, Here We Are! We're Home At Last!" (Narrator) |
2:40
|
| 4-8 |
Part 1: Music For Scene 2: Pastorale |
4:07
|
| 4-9 |
Part 1: "The Devil Is Standing There" (Narrator, Soldier, Devil) |
1:48
|
| 4-10 |
Part 1: Music For The End Of Scene 2 |
0:55
|
| 4-11 |
Part 1: "He Took Up The Book" (Narrator) |
2:24
|
| 4-12 |
Part 1: Airs By A Stream - "Just To Stretch Out On The Grass" (Narrator) |
2:28
|
| 4-13 |
Part 1: "They Have Nothing - And Yet They Have It All" (Narrator, Soldier, Devil) |
3:09
|
| 4-14 |
Part 1: Music For Scene 3: Airs By A Stream - "The Devil Has Disappeared" (Narrator) |
1:01
|
| 4-15 |
Part 2: The Soldier's March - "Down A Hot And Dusty Road" (Narrator) |
1:39
|
| 4-16 |
Part 2: "Now He Comes To Another Land" (Narrator) |
2:12
|
| 4-17 |
Part 2: The Royal March |
2:30
|
| 4-18 |
Part 2: "They Gave The Word For The Band To Play" (Narrator, Soldier, Devil) |
4:11
|
| 4-19 |
Part 2: The Little Concert - "Princess, Now We Can Safely Say" (Narrator) |
3:04
|
| 4-20 |
Part 2: 3 Dances: 1. Tango |
2:23
|
| 4-21 |
Part 2: 3 Dances: 2. Valse |
1:52
|
| 4-22 |
Part 2: 3 Dances: 3. Ragtime - "The Soldier Holds The Princess Close" (Narrator) |
2:19
|
| 4-23 |
Part 2: The Devil's Dance - "The Devil's Exhausted" (Narrator) |
1:23
|
| 4-24 |
Part 2: Little Chorale |
0:47
|
| 4-25 |
Part 2: The Devil's Song - "All Right! I Shall Have To Wait" (Devil) |
0:45
|
| 4-26 |
Part 2: Great Chorale - "You Must Not Seek To Add" (Narrator) |
3:40
|
| 4-27 |
Part 2: "I Have Everything, He Thinks" (Narrator) |
1:58
|
| 4-28 |
Part 2: Triumphal March Of The Devil |
2:00
|
Pulcinella (1919/20): Ballet With Song In One Act, Based On Music By Giovanni Battista Pergolesi, Domenico Gallo, Fortunato Chelleri, Alessandro ParisottiArranged By – Igor StravinskyBass Vocals – John Shirley-QuirkComposed By – Alessandro Parisotti, Anonymous, Domenico Gallo, Fortunato Chelleri, Giovanni Battista PergolesiConductor – Claudio AbbadoMezzo-soprano Vocals – Teresa BerganzaOrchestra – The London Symphony OrchestraTenor Vocals – Ryland Davies |
| 5-1 |
Overture (Gallo, Trio Sonata No. 1 In G Major, Movt. 1)Composed By – Domenico Gallo |
1:57
|
| 5-2 |
Seranata: "Mentre L'Erbetta, Pasce L'Agnella" (Tenor) (Pergolesi, Il Flaminio, Act I, Polidoro's Pastorale)Composed By – Giovanni Battista Pergolesi |
2:58
|
| 5-3 |
Scherzino (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 1)Composed By – Domenico Gallo |
1:37
|
| 5-4 |
Più Vivo (Pergolesi, Il Flaminio, Act III, Checca's Canzona)Composed By – Giovanni Battista Pergolesi |
0:12
|
| 5-5 |
Allegro (Gallo, Trio Sonata No. 2 In B Flat Major, Movt. 3)Composed By – Domenico Gallo |
1:00
|
| 5-6 |
Andantino (Gallo, Trio Sonata No. 8 In E Flat Major, Movt. 1)Composed By – Domenico Gallo |
1:12
|
| 5-7 |
Allegro (Pergolesi, Lo Frate 'nnamorato, Act I, Vanella's Aria)Composed By – Giovanni Battista Pergolesi |
1:39
|
| 5-8 |
"Contento Forse Vivere" (Soprano) (Pergolesi, Luce Degli Occhi Miei (Cantata))Composed By – Giovanni Battista Pergolesi |
2:01
|
| 5-9 |
Allegro Assai (Gallo, Trio Sonata No. 3 In C Minor, Movt. 3)Composed By – Domenico Gallo |
1:52
|
| 5-10 |
"Con Queste Paroline" (Bass) (Pergolesi, Il Flaminio, Act I, Vastiano's Aria)Composed By – Giovanni Battista Pergolesi |
2:14
|
| 5-11 |
"Sento Dire: No'ncé Pace" (Soprano, Tenor, Bass) (Pergolesi, Lo Frate 'nnamorato, Act III, Ascanio's Arioso) - "Chi Disse Ca la Femmena" (Tenor, Soprano) (Pergolesi, Lo Frate 'nnamorato, Act II, Vanella's Canzona)Composed By – Giovanni Battista Pergolesi |
6:31
|
| 5-12 |
Allegro (Alla Breve) (Gallo, Trio Sonata No. 7 In G Minor, Movt. 3)Composed By – Domenico Gallo |
1:15
|
| 5-13 |
Tarantella (Chelleri (?), Concerto No. 6 In B Flat Major, Movt. 4)Composed By – Fortunato Chelleri |
1:13
|
| 5-14 |
"Se Tu M'Ami" (Soprano) (Parisotti (?), Arie Antiche)Composed By – Alessandro Parisotti |
2:16
|
| 5-15 |
Allegro (Anon., Suite For Harpsichord No. 1 In E Major, Rondò)Composed By – Anonymous |
0:56
|
| 5-16 |
Gavotta Con Due Variazioni (Anon., Suite For Harpsichord No. 3 In D Major)Composed By – Anonymous |
4:09
|
| 5-17 |
Vivo (Pergolesi, Sonata For Violoncello And B.c. In F Major, Movt. 4)Composed By – Giovanni Battista Pergolesi |
1:30
|
| 5-18 |
"Pupillette, Fiammette D'Amore" (Soprano, Tenor, Bass) (Pergolesi, Lo Frate 'nnamorato, Act I, Don Pietro's Canzona)Composed By – Giovanni Battista Pergolesi |
2:20
|
| 5-19 |
Allegro Assai (Gallo, Trio Sonata No. 12 In E Major, Movt. 3)Composed By – Domenico Gallo |
2:01
|
Mavra (1921/2): Opera Buffa In One ActConductor – Gennadi RozhdestvenskyContralto Vocals [The Mother] – Anna Matyushina*Libretto By, Adapted By (Text) – Boris KochnoMezzo-soprano Vocals [The Neighbour] – Nina Postavnicheva*Orchestra – Moscow Radio Symphony Orchestra*Soprano Vocals [Parasha] – Lyudmila Belobragina*Tenor Vocals [The Hussar, later disguised as Cook] – Nikolai Gutorovich*Text By – Alexander Pushkin* |
| 5-20 |
Overture |
2:38
|
| 5-21 |
"Drug Moy Milyy" (Parasha) |
1:45
|
| 5-22 |
"Kolokol'chiki Zvenyat" (Hussar) |
0:57
|
| 5-23 |
"U Pesen Vsekh Slova Odni" (Parasha, Hussar) |
1:34
|
| 5-24 |
"Moya Strast' Sil'neye Stanovitsya" (Parasha, Hussar) |
1:13
|
| 5-25 |
"Izbavi Bog Prislugu" (Mother, Parasha) |
0:49
|
| 5-26 |
"Net, Ne Zabyt' Vo Veki Mne Pokoynitsu" (Mother) |
2:36
|
| 5-27 |
"Zhelayu Zdravstvovat'!" (Neighbour, Mother) |
3:37
|
| 5-28 |
"Gde Tak Dolgo Ty Byla?" (Mother, Neighbour, Parasha, Cook) |
3:27
|
| 5-29 |
"Parasha!" / "Ya, Vasiliy Milyy!" (Parasha, Cook) |
0:35
|
| 5-30 |
"Ya Pamyat'yu Ne Izmenyu" (Parasha, Cook) |
4:53
|
| 5-31 |
"Parasha!" / "Slyshish'?" (Mother, Parasha, Cook) |
0:51
|
| 5-32 |
"Ya Zhdu, Ya Zhdu Pokorno" (Cook) |
3:07
|
| 5-33 |
"Pozhaluy Vremya Nastupilo Pobrit'sya" (Cook, Mother, Parasha, Neighbour) |
1:45
|
Les Noces (Svadebka) (1914-23): Russian Choreographic Scenes With Song And MusicBass Vocals – Paul Hudson Chorus – English Bach Festival ChorusChorus Master – Nicholas CleoburyConductor – Leonard BernsteinEnsemble – English Bach Festival Percussion EnsembleLibretto By – Igor StravinskyMezzo-soprano Vocals – Patricia ParkerPiano – Cyprien Katsaris, Homero Francesch, Krystian Zimerman, Martha ArgerichSoprano Vocals – Anny MoryTenor Vocals – John Mitchinson |
| 6-1 |
Part 1: 1. At The Bride's House (The Tresses): "Kosa L' Moya Ko" |
5:18
|
| 6-2 |
Part 1: 2. At The Bridegroom's House: "Prechistaya Mat', Khodi" |
5:38
|
| 6-3 |
Part 1: 3. The Departure Of The Bride: "Blagoslavlyalsya Svetyël Mesyats" |
2:57
|
| 6-4 |
Part 2: 4. The Wedding Feast: "Yagoda S Yagodoy Sokatilasya" |
9:55
|
Oedipus Rex (1926/7): Opera-Oratorio In 2 ActsBaritone Vocals [Creon, Messenger] – James Morris Bass Vocals [Tiresias] – Jan-Hendrik RooteringChorus – Chicago Symphony ChorusChorus Master – Margaret HillisConductor – James Levine Libretto By, Adapted By (Text) – Jean CocteauMezzo-soprano Vocals [Jocasta] – Florence QuivarNarrator – Jules BastinOrchestra – The Chicago Symphony OrchestraTenor Vocals [Oedipus] – Philip LangridgeTenor Vocals [Shepherd] – Donald KaaschText By – SophoclesTranslated By [Latin] – Jean Daniélou |
| 6-5 |
Act I: "Spectateurs, Vous Allez Entendre" (Narrator) - "Caedit Nos Pestis" (Chorus, Oedipus) |
8:09
|
| 6-6 |
Act I: "Voici Créon, Beau-Frère D'Œdipe" (Narrator) - "Respondit Deus" (Creon) |
3:34
|
| 6-7 |
Act I: "Non Reperias Vetus Scelus" (Oedipus, Chorus) |
3:33
|
| 6-8 |
Act I: "Œdipe Interroge La Fontaine De Vérité" (Narrator) - "Delie Exspectamus" (Chorus) |
2:32
|
| 6-9 |
Act I: "Dicere Non Possum" (Tiresias, Oedipus) |
2:42
|
| 6-10 |
Act I: "Invidia Fortunam Odit" (Oedipus) |
2:40
|
| 6-11 |
Act I: "Gloria! Laudibus Regina Jocasta" (Chorus) |
1:03
|
| 6-12 |
Act II: "La Dispute Des Princes Attire Jocaste" (Narrator) |
1:13
|
| 6-13 |
Act II: "Gloria! Laudibus Regina Jocasta" (Chorus) |
1:04
|
| 6-14 |
Act II: "Nonn' Erubescite, Reges" (Jocasta, Chorus, Oedipus) |
7:04
|
| 6-15 |
Act II: "Ego Senem Cecidi" (Oedipus) |
2:19
|
| 6-16 |
Act II: "Le Témoin Du Meurtre Sort De L'Ombre" (Narrator) - "Adest Omniscius Pastor" (Chorus, Messenger, Shepherd) |
3:08
|
| 6-17 |
Act II: "Oportebat Tacere, Nunquam Loqui" (Shepherd) |
1:40
|
| 6-18 |
Act II: "Nonne Monstrum Rescituri" (Oedipus) |
1:20
|
| 6-19 |
Act II: "In Monte Reppertus Est" (Shepherd, Chorus, Oedipus) - "Et Maintenant, Vous Allez Entendre" (Narrator) |
3:36
|
| 6-20 |
Act II: "Divum Jocastae Caput Mortuum" (Messenger, Chorus) |
0:40
|
| 6-21 |
Act II: "Divum Jocastae Caput Mortuum" (Messenger, Chorus) |
2:15
|
| 6-22 |
Act II: "Divum Jocastae Caput Mortuum" (Messenger, Chorus) |
2:54
|
Apollon Musagète (1927/8): Ballet In 2 ScenesConductor – Riccardo ChaillyOrchestra – Concertgebouworkest |
| 7-1 |
Scene 1: Naissance D'Apollon |
4:33
|
| 7-2 |
Scene 2: Variation D'Apollon. Apollon Et Les Muses |
3:10
|
| 7-3 |
Scene 2: Pas D'Action. Apollon Et Les Trois Muses, Calliope, Polymnie Et Terpsichore |
4:32
|
| 7-4 |
Scene 2: Variation De Calliope (L'Alexandrin) |
1:26
|
| 7-5 |
Scene 2: Variation De Polymnie |
1:18
|
| 7-6 |
Scene 2: Variation De Terpsichore |
1:36
|
| 7-7 |
Scene 2: Variation D'Apollon |
2:16
|
| 7-8 |
Scene 2: Pas De Deux. Apollon Et Terpsichore |
3:57
|
| 7-9 |
Scene 2: Coda. Apollon Et Les Muses |
3:21
|
| 7-10 |
Scene 2: Apothéose |
3:38
|
The Fairy's Kiss : Ballet In 4 ScenesConductor – Oliver KnussenOrchestra – The Cleveland Orchestra |
| 7-11 |
Scene 1: The Lullaby In The Storm: Andante |
2:40
|
| 7-12 |
Scene 1: The Lullaby In The Storm: Allegro Sostenuto |
2:00
|
| 7-13 |
Scene 1: The Lullaby In The Storm: (Fig. 27) |
2:03
|
| 7-14 |
Scene 1: The Lullaby In The Storm: Andante - Vivace Agitato |
1:34
|
| 7-15 |
Scene 2: A Village Fete: Tempo Giusto |
4:13
|
| 7-16 |
Scene 2: A Village Fete: Valse |
2:44
|
| 7-17 |
Scene 2: A Village Fete: Doppio Movimento - Più Mosso - Tempo Agitato Ma Giusto |
4:01
|
| 7-18 |
Scene 3: At The Mill: Moderato |
3:14
|
| 7-19 |
Scene 3: At The Mill: Allegretto Grazioso |
3:05
|
| 7-20 |
Scene 3: At The Mill: Pas De Deux: A. Entrée. Moderato |
1:31
|
| 7-21 |
Scene 3: At The Mill: Pas De Deux: B. Adagio |
3:14
|
| 7-22 |
Scene 3: At The Mill: Pas De Deux: C. Variaton. Allegretto Grazioso |
1:13
|
| 7-23 |
Scene 3: At The Mill: Pas De Deux: D. Coda. Presto |
2:04
|
| 7-24 |
Scene 3: At The Mill: Scène. Andante Non Tanto |
4:53
|
| 7-25 |
Scene 4: Berceuse Of The Eternal Dwellings: L'Istesso Tempo (Più Lento) |
5:08
|
Persephone (1933/4): Melodrama In 3 ScenesChoir – The London Philharmonic Choir, Tiffin Boys’ ChoirConductor – Kent NaganoLibretto By – André GideOrchestra – The London Philharmonic OrchestraSpeech – Anne FournetTenor Vocals – Anthony Rolfe Johnson |
| 8-1 |
1. The Abduction Of Persephone |
9:08
|
| 8-2 |
2. Persephone In The Underworld |
22:42
|
| 8-3 |
3. Persephone Reborn |
16:15
|
Jeu de Cartes : Ballet In 3 DealsConductor – Claudio AbbadoOrchestra – The London Symphony Orchestra |
| 9-1 |
First Deal |
5:24
|
| 9-2 |
Second Deal |
9:22
|
| 9-3 |
Third Deal |
8:04
|
Scènes De Ballet Conductor – Leonard BernsteinOrchestra – Israel Philharmonic Orchestra |
| 9-4 |
Introduction. Andante |
1:00
|
| 9-5 |
Danses (Corps De Ballet). Moderato |
3:39
|
| 9-6 |
Variation (Ballerine). Con Moto |
1:06
|
| 9-7 |
Pantomime. Lento |
2:21
|
| 9-8 |
Pas De Deux. Adagio |
3:03
|
| 9-9 |
Pantomime. Agitato Ma Tempo Giusto |
0:44
|
| 9-10 |
Variation (Danseur). Risoluto |
1:25
|
| 9-11 |
Variation (Ballerine). Andantino |
1:16
|
| 9-12 |
Pantomime. Andantino |
0:33
|
| 9-13 |
Danses (Corps De Ballet). Con Moto |
1:13
|
| 9-14 |
Apothéose. Poco Meno Mosso |
2:17
|
Orpheus : Ballet In 3 ScenesOrchestra – Orpheus Chamber Orchestra |
| 9-15 |
Scene 1: Lento Sostenuto |
2:28
|
| 9-16 |
Scene 1: Air De Danse. Andante Con Moto |
3:18
|
| 9-17 |
Scene 1: L'Ange De La Mort Et Sa Danse. L'Istesso Tempo |
2:21
|
| 9-18 |
Scene 1: Interlude. L'Istesso Tempo |
1:44
|
| 9-19 |
Scene 2: Pas Des Furies. Agitato In Piano |
2:53
|
| 9-20 |
Scene 2: Air De Danse (Orphée). Grave |
2:27
|
| 9-21 |
Scene 2: Interlude. L'Istesso Tempo |
0:24
|
| 9-22 |
Scene 2: Air De Danse (Conclusion). L'Istesso Tempo |
0:41
|
| 9-23 |
Scene 2: Pas D'Action. Andantino Leggiadro |
1:50
|
| 9-24 |
Scene 2: Pas De Deux. Andante Sostenuto |
5:15
|
| 9-25 |
Scene 2: Interlude. Moderato Assai |
1:10
|
| 9-26 |
Scene 2: Pas D'Action. Vivace |
2:22
|
| 9-27 |
Scene 3: Apothéose D'Orphée. Lento Sostenuto |
2:46
|
The Rake's ProgressBaritone Vocals [Nick Shadow] – Bryn TerfelBass Vocals [Keeper of the Madhouse] – Julian ClarksonBass Vocals [Trulove, Anne's father] – Martin Robson Choir – The Monteverdi ChoirConductor – John Eliot GardinerLibretto By – Chester Kallman, W. H. AudenMezzo-soprano Vocals [Baba the Turk] – Anne Sofie Von OtterMezzo-soprano Vocals [Mother Goose] – Anne HowellsMusical Assistance, Harpsichord – Anthony LeggeOrchestra – The London Symphony OrchestraSoprano Vocals [Anne Trulove] – Deborah YorkTenor Vocals [Sellem, an auctioneer] – Peter BronderTenor Vocals [Tom Rakewell] – Ian Bostridge |
| 10-1 |
Act I: Prelude |
0:32
|
| 10-2 |
Act I, Scene 1: "The Woods Are Green" (Anne, Rakewell, Trulove) |
3:28
|
| 10-3 |
Act I, Scene 1: "Anne, My Dear" (Trulove) |
0:52
|
| 10-4 |
Act I, Scene 1: "Here I Stand" (Rakewell) - "Since It Is Not By Merit" (Rakewell) |
2:33
|
| 10-5 |
Act I, Scene 1: "Tom Rakewell?" (Shadow, Rakewell) |
1:15
|
| 10-6 |
Act I, Scene 1: "Fair Lady, Gracious Gentlemen" (Shadow) - "I Wished But Once" (Rakewell, Shadow, Anne, Trulove) |
5:00
|
| 10-7 |
Act I, Scene 1: "I'll Call The Coachman, Sir" (Shadow, Trulove) |
0:11
|
| 10-8 |
Act I, Scene 1: "Farewell For Now" (Anne, Rakewell) |
1:14
|
| 10-9 |
Act I, Scene 1: "All Is Ready, Sir" (Shadow, Rakewell) |
0:46
|
| 10-10 |
Act I, Scene 1: "Dear Father Trulove" (Rakewell) - "Laughter And Light" (Rakewell, Anne, Trulove, Shadow) |
2:54
|
| 10-11 |
Act I, Scene 2: "With Air Commanding And Weapon Handy" (Chorus) |
2:30
|
| 10-12 |
Act I, Scene 2: "Come, Tom" (Shadow, Rakewell, Mother Goose) |
3:17
|
| 10-13 |
Act I, Scene 2: "Soon Dawn Will Glitter" (Chorus) |
0:36
|
| 10-14 |
Act I, Scene 2: "Sisters Of Venus, Brothers Of Mars" (Shadow) |
0:56
|
| 10-15 |
Act I, Scene 2: "Love, Too Frequently Betrayed" (Rakewell) |
2:44
|
| 10-16 |
Act I, Scene 2: "How Sad A Song" (Chorus, Mother Goose) |
1:04
|
| 10-17 |
Act I, Scene 2: "The Sun Is Bright, The Grass Is Green" (Chorus, Shadow) |
2:05
|
| 10-18 |
Act I, Scene 3: "No Word From Tom" (Anne) |
1:56
|
| 10-19 |
Act I, Scene 3: "Quietly, Night" (Anne, Trulove) |
2:11
|
| 10-20 |
Act I, Scene 3: "My Father! Can I Desert Him" (Anne) |
1:00
|
| 10-21 |
Act I, Scene 3: "I Go, I Go To Him" (Anne) |
2:42
|
| 10-22 |
Act II, Scene 1: "Vary The Song, O London, Change!" (Rakewell) |
2:50
|
| 10-23 |
Act II, Scene 1: "Nature, Green Unnatural Mother" (Rakewell) |
2:23
|
| 10-24 |
Act II, Scene 1: "Always The Quarry" (Rakewell) |
1:34
|
| 10-25 |
Act II, Scene 1: "Master, Are You Alone?" (Shadow, Rakewell) |
1:07
|
| 10-26 |
Act II, Scene 1: "Come Master, Observe The Host" (Shadow) |
1:11
|
| 10-27 |
Act II, Scene 1: "In Youth The Panting Slave" (Shadow) |
1:58
|
| 10-28 |
Act II, Scene 1: "My Tale Shall Be Told" (Rakewell, Shadow) |
2:21
|
| 10-29 |
Act II, Scene 2: Introduction |
1:50
|
| 10-30 |
Act II, Scene 2: "How Strange" (Anne) - "O Heart Be Stronger" (Anne) |
3:28
|
| 10-31 |
Act II, Scene 2: "Anne! Here!" (Rakewell, Anne) |
2:31
|
| 10-32 |
Act II, Scene 2: "My Love, Am I To Remain In Here For Ever?" (Baba, Anne, Rakewell) |
0:58
|
| 10-33 |
Act II, Scene 2: "Could It Then Have Been Known" (Anne, Rakewell, Baba) |
3:07
|
| 10-34 |
Act II, Scene 2: "I Have Not Run Away" (Baba, Rakewell, Chorus) |
2:24
|
| 11-1 |
Act II, Scene 3: "As I Was Saying" (Baba, Rakewell) - "Come, Sweet, Come" (Baba, Rakewell) - Scorned! Abused!" (Baba) |
3:33
|
| 11-2 |
Act II, Scene 3: "My Heart Is Cold, I Cannot Weep" (Rakewell) |
0:21
|
| 11-3 |
Act II, Scene 3: "Fa La La" (Shadow) |
1:04
|
| 11-4 |
Act II, Scene 3: "Oh, I Wish It Were True" (Rakewell, Shadow) |
1:44
|
| 11-5 |
Act II, Scene 3: "Thanks To This Excellent Device" (Rakewell, Shadow) |
1:39
|
| 11-6 |
Act II, Scene 3: "Forgive Me, Master" (Shadow) |
2:20
|
| 11-7 |
Act III, Scene 1: "Ruin, Disaster, Shame" (Chorus, Anne, Sellem) |
3:03
|
| 11-8 |
Act III, Scene 1: "Ladies, Both Fair And Gracious" (Sellem) |
1:28
|
| 11-9 |
Act III, Scene 1: "Who Hears Me, Knows Me" (Sellem, Chorus) - "Seven - Eleven" (Chorus, Sellem) - "Behold It, Roman, Moral" (Sellem, Chorus) - "Fifteen - And A Half" (Chorus, Sellem) - "Wonderful" (Sellem) - "An Unknown Object Draws Us" (Sellem, Chorus) - "Fifty - Fifty-Five" (Chorus, Sellem, Baba) |
3:31
|
| 11-10 |
Act III, Scene 1: "Sold! Annoyed!" (Baba, Chorus, Rakewell, Shadow) - "Now What Was That!" (Chorus, Baba, Anne, Sellem) |
2:12
|
| 11-11 |
Act III, Scene 1: "You Love Him" (Baba, Anne, Chorus, Sellem) - "If Boys Had Wings" (Rakewell, Shadow, Anne, Baba, Sellem, Chorus) |
4:02
|
| 11-12 |
Act III, Scene 1: "I Go To Him" (Anne, Baba, Sellem, Chorus) - "Who Cares A Fig" (Rakewell, Shadow, Baba, Chorus) |
1:53
|
| 11-13 |
Act III, Scene 2: Prelude |
2:06
|
| 11-14 |
Act III, Scene 2: "How Dark And Dreadful Is This Place" (Rakewell, Shadow) |
4:14
|
| 11-15 |
Act III, Scene 2: "Very Well, Then, My Dear And Good Tom" (Shadow, Rakewell) |
1:05
|
| 11-16 |
Act III, Scene 2: "Well, Then" - "My Heart Is Wild With Fear" (Shadow, Rakewell, Anne) |
6:35
|
| 11-17 |
Act III, Scene 2: "I Burn! I Burn! I Freeze!" (Shadow) |
2:17
|
| 11-18 |
Act III, Scene 2: "With Roses Crowned" (Rakewell) |
1:23
|
| 11-19 |
Act III, Scene 3: "Prepare Yourselves, Heroic Shades" (Rakewell) - "Madmen's Words Are All Untrue" (Chorus, Rakewell) - "Leave All Love And Hope Behind" (Chorus) |
3:22
|
| 11-20 |
Act III, Scene 3: "There He Is. Have No Fear" (Keeper, Anne, Rakewell) |
0:56
|
| 11-21 |
Act III, Scene 3: "I Have Waited" (Rakewell) |
1:01
|
| 11-22 |
Act III, Scene 3: "In A Foolish Dream" (Rakewell, Anne) |
2:36
|
| 11-23 |
Act III, Scene 3: "I Am Exceedingly Weary" (Rakewell) |
0:57
|
| 11-24 |
Act III, Scene 3: "Gently, Little Boat" (Anne) |
3:00
|
| 11-25 |
Act III, Scene 3: "Anne, My Dear, The Tale Is Ended Now" (Trulove, Anne) |
0:50
|
| 11-26 |
Act III, Scene 3: "Every Wearied Body" (Anne, Trulove) |
1:38
|
| 11-27 |
Act III, Scene 3: "Where Art Thou, Venus?" (Rakewell, Chorus) |
2:51
|
| 11-28 |
Act III, Scene 3: "Mourn For Adonis" (Chorus) |
1:39
|
| 11-29 |
Epilogue: "Good People, Just A Moment" (Anne, Baba, Rakewell, Shadow, Trulove) |
2:29
|
Agon (1953-57): Ballet For 12 DancersConductor – Vladimir AshkenazyOrchestra – Deutsches Symphonie-Orchester Berlin |
| 12-1 |
Pas De Quatre |
1:49
|
| 12-2 |
Double Pas De Quatre |
1:27
|
| 12-3 |
Triple Pas De Quatre. Coda |
1:01
|
| 12-4 |
Prelude |
0:57
|
| 12-5 |
First Pas De Trois: A. Saraband Step |
1:24
|
| 12-6 |
First Pas De Trois: B. Gailliarde |
1:19
|
| 12-7 |
First Pas De Trois: C. Coda |
1:28
|
| 12-8 |
Interlude |
0:56
|
| 12-9 |
Second Pas De Trois: A. Bransle Simple |
0:59
|
| 12-10 |
Second Pas De Trois: B. Bransle Gay |
0:47
|
| 12-11 |
Second Pas De Trois: C. Bransle Double |
1:45
|
| 12-12 |
Interlude |
0:57
|
| 12-13 |
Pas De Deux |
4:31
|
| 12-14 |
Coda |
1:41
|
| 12-15 |
Four Duos |
0:36
|
| 12-16 |
Four Trios - Coda |
2:32
|
The Flood (1961/2): Musical Play For Three Solo Voices, Speakers, Chorus And OrchestraAdapted By (Text) – Robert CraftBass Vocals [God, Noah's Son] – David Wilson-Johnson, Stephen Richardson Choir – New London Chamber ChoirChorus Master – James Wood Conductor – Oliver KnussenNarrator – Michael BerkeleyOrchestra – London SinfoniettaSpeech [Noah's Wife] – Lucy SheltonSpeech [Noah] – Bernard JacobsonTenor Vocals [Lucifer/Satan, Caller] – Peter Hall Text By – Book of Genesis, York and Chester miracle plays* |
| 12-17 |
Prelude: "Te Deum Laudamus" (Chor, Narrator, God, Lucifer/Satan) |
5:46
|
| 12-18 |
Melodrama: "In A Worm's Likeness Will He Wend" (Narrator, Satan, God, Noah) |
3:49
|
| 12-19 |
The Building Of The Ark (Choreography) |
2:32
|
| 12-20 |
The Catalogue Of The Animals: "The Lord Bade That I Should Bring" (Noah, Caller) |
1:32
|
| 12-21 |
The Comedy (Noah And His Wife): "Wife, Come In!" (Noah, Noah's Wife, Noah's Sons) |
1:35
|
| 12-22 |
The Flood (Choreography) |
2:34
|
| 12-23 |
The Covenant Of The Rainbow: "A Covenant, Noah, With Thee I Make" (God, Noah, Satan, Narrator, Chor) |
3:30
|
|
Orchestral Music
|
Symphony In E Flat Major Op. 1 (1905-07)Conductor – Mikhail PletnevOrchestra – Russian National Orchestra |
| 13-1 |
1. Allegro Moderato |
11:05
|
| 13-2 |
2. Scherzo. Allegretto |
5:40
|
| 13-3 |
3. Largo |
11:24
|
| 13-4 |
4. Finale. Allegro Molto |
7:22
|
| 13-5 |
Scherzo Fantastique Op. 3 (1907/8)Conductor – Pierre BoulezOrchestra – The Cleveland Orchestra |
11:26
|
| 13-6 |
Feu D'Artifice Op. 4 Conductor – Pierre BoulezOrchestra – The Chicago Symphony Orchestra |
3:55
|
4 Études For Orchestra (1928/9): Arr. Of 3 Pieces For String Quartet And Étude For Pianola Conductor – Pierre BoulezOrchestra – The Chicago Symphony Orchestra |
| 13-7 |
1. Danse. Con Moto |
0:59
|
| 13-8 |
2. Excentrique. Moderato |
2:11
|
| 13-9 |
3. Cantique. Largo |
3:38
|
| 13-10 |
Madrid. Allegro Con Moto |
2:48
|
| 13-11 |
Song Of The Volga Boatmen Arr. For Wind Instruments And Percussion Conductor – Robert CraftOrchestra – Philharmonia Orchestra |
1:19
|
| 13-12 |
Ragtime For 11 Instruments (1917/8)Ensemble – Boston Symphony Chamber Players |
4:31
|
| 13-13 |
Symphonies Of Wind Instruments Conductor – Pierre BoulezOrchestra – Berliner Philharmoniker |
9:12
|
Suite No. 1 For Small Orchestra : Arr. Of Nos. 1-4 From 5 Easy Pieces For Piano DuetOrchestra – Orpheus Chamber Orchestra |
| 14-1 |
1. Andante |
1:20
|
| 14-2 |
2. Napolitana |
1:13
|
| 14-3 |
3. Española |
1:09
|
| 14-4 |
4. Balalaika |
0:59
|
Suite No. 2 For Small Orchestra (1915-21): Arr. Of 3 Easy Pieces For Piano Duet And No. 5 From 5 Easy Pieces For Piano DuetOrchestra – Orpheus Chamber Orchestra |
| 14-5 |
1. March |
1:16
|
| 14-6 |
2. Waltz |
2:01
|
| 14-7 |
3. Polka |
1:00
|
| 14-8 |
4. Galop |
1:48
|
Concerto For Piano And Wind Instruments (1923/4)Conductor – Vladimir AshkenazyOrchestra – Deutsches Symphonie-Orchester BerlinPiano – Olli Mustonen |
| 14-9 |
1. Largo - Allegro |
7:13
|
| 14-10 |
2. Largo |
6:25
|
| 14-11 |
3. Allegro |
4:37
|
Capriccio For Piano And Orchestra (1928/9)Conductor – Vladimir AshkenazyOrchestra – Deutsches Symphonie-Orchester BerlinPiano – Olli Mustonen |
| 14-12 |
1. Presto |
6:22
|
| 14-13 |
2. Andante Rapsodico |
5:51
|
| 14-14 |
3. Allegro Capriccioso Ma Tempo Giusto |
5:08
|
Violin Concerto In D Conductor – Paul SacherOrchestra – Philharmonia OrchestraViolin – Anne-Sophie Mutter |
| 14-15 |
1. Toccata |
5:51
|
| 14-16 |
2. Aria I |
4:09
|
| 14-17 |
3. Aria II |
5:13
|
| 14-18 |
4. Capriccio |
5:49
|
Divertimento : Arr. From The Ballet The Fairy's KissConductor – Semyon BychkovOrchestra – Orchestre De Paris |
| 15-1 |
1. Sinfonia |
6:15
|
| 15-2 |
2. Danses Suisses |
7:00
|
| 15-3 |
3. Scherzo |
3:49
|
| 15-4 |
4. Pas De Deux. Adagio |
3:49
|
| 15-5 |
4. Pas De Deux. Variation |
1:21
|
| 15-6 |
4. Pas De Deux. Coda |
2:37
|
| 15-7 |
Praeludium For Jazz Ensemble (1936/7)Ensemble – Orpheus Chamber Orchestra |
1:58
|
Concerto In E Flat Major "Dumbarton Oaks" For Chamber Orchestra (1937/8)Conductor – Pierre BoulezOrchestra – Ensemble Intercontemporain |
| 15-8 |
1. Tempo Giusto |
4:52
|
| 15-9 |
2. Allegretto |
5:17
|
| 15-10 |
3. Con Moto |
5:16
|
Symphony In C (1938-40)Conductor – Leonard BernsteinOrchestra – Israel Philharmonic Orchestra |
| 15-11 |
1. Moderato Alla Breve |
9:31
|
| 15-12 |
2. Larghetto Concertante |
6:16
|
| 15-13 |
3. Allegretto |
5:05
|
| 15-14 |
4. Largo - Tempo Giusto, Alla Breve |
7:30
|
Danses Concertantes For Chamber Orchestra (1940-42)Orchestra – Orpheus Chamber Orchestra |
| 16-1 |
1. Marche-Introduction. ♩ = 96 |
2:00
|
| 16-2 |
2. Pas D'Action. Con Moto |
3:29
|
| 16-3 |
3. Thème Varié. Lento - Var. I-Iv |
8:19
|
| 16-4 |
4. Pas De Deux. Risoluto |
5:36
|
| 16-5 |
5. Marche-Conclusion. ♩ = 96 |
0:56
|
| 16-6 |
Circus Polka For A Young Elephant Conductor – Rafael KubelikOrchestra – Berliner Philharmoniker |
3:23
|
Four Norwegian Moods Conductor – Riccardo ChaillyOrchestra – The Cleveland Orchestra |
| 16-7 |
1. Intrada |
2:21
|
| 16-8 |
2. Song |
2:44
|
| 16-9 |
3. Wedding Dance |
1:21
|
| 16-10 |
4. Cortège |
2:14
|
Ode : Elegiacal Chant In 3 Parts For OrchestraConductor – Oliver KnussenOrchestra – The Cleveland Orchestra |
| 16-11 |
Eulogy. Lento |
3:45
|
| 16-12 |
Eclogue. Con Moto |
2:45
|
| 16-13 |
Epitaph. Lento |
3:26
|
| 16-14 |
Scherzo À La Russe |
3:40
|
Symphony In 3 Movements (1942-45)Conductor – Leonard BernsteinOrchestra – Israel Philharmonic Orchestra |
| 16-15 |
1. ♩ = 160 |
10:05
|
| 16-16 |
2. Andante |
6:14
|
| 16-17 |
2. Interlude. L'Istesso Tempo |
0:25
|
| 16-18 |
3. Con Moto |
6:11
|
| 17-1 |
Ebony Concerto For Clarinet And Jazz Band Clarinet – Michel ArrignonConductor – Pierre BoulezEnsemble – Ensemble Intercontemporain |
8:52
|
Concerto In D For String Orchestra Orchestra – Orpheus Chamber Orchestra |
| 17-2 |
1. Vivace |
5:55
|
| 17-3 |
2. Arioso. Andantino |
2:36
|
| 17-4 |
3. Rondo. Allegro |
3:18
|
| 17-5 |
Concertino For 12 Instruments : Arr. Of Concertino For String QuartetOrchestra – Orpheus Chamber Orchestra |
6:21
|
| 17-6 |
Tango For 19 Instruments : Arr. Of Tango For PianoOrchestra – Orpheus Chamber Orchestra |
3:26
|
| 17-7 |
Greeting Prelude After C. F. Summy's Happy Birthday To You For The 80th Birthday Of Pierre MonteuxConductor – Sir Charles MackerrasOrchestra – The London Philharmonic Orchestra |
0:57
|
Movements For Piano And Orchestra (1958/9)Conductor – Oliver KnussenOrchestra – Deutsches Symphonie-Orchester BerlinPiano – Olli Mustonen |
| 17-8 |
1. ♪ = 110 |
3:18
|
| 17-9 |
2. ♪ = 52 |
1:39
|
| 17-10 |
3. ♪ = 72 |
1:01
|
| 17-11 |
4. ♪ = 80 |
1:46
|
| 17-12 |
5. ♪ = 104 |
1:54
|
Monumentum Pro Gesualdo di Venosa Ad CD Annum : 3 Madrigals Of Gesualdo Recomposed For Chamber OrchestraArranged By – Igor StravinskyComposed By – Carlo GesualdoConductor – Dennis Russell DaviesOrchestra – Stuttgarter Kammerorchester |
| 17-13 |
1. Asciugate I Begli Occhi (Vol. V/14) |
2:18
|
| 17-14 |
2. Ma Tu, Cagion Di Quella (Vol. V/18) |
1:57
|
| 17-15 |
3. Beltà, Poi Che T'Assenti (Vol. IV/2) |
2:35
|
| 17-16 |
8 Instrumental Miniatures For 15 Players : Arr. Of The Five Fingers For PianoOrchestra – Orpheus Chamber Orchestra |
8:12
|
| 17-17 |
Variations For Orchestra (1963/4): Aldous Huxley In MemoriamConductor – Oliver KnussenOrchestra – London Sinfonietta |
5:04
|
| 17-18 |
Canon On A Russian Popular Tune Conductor – Mikhail PletnevOrchestra – Russian National Orchestra |
0:55
|
The Firebird: Suite Conductor – Mikhail PletnevOrchestra – Russian National Orchestra |
| 18-1 |
1. Introduction - Prelude And Dance Of The Firebird - Variations (Firebird) |
4:40
|
| 18-2 |
2. Pantomime I |
0:26
|
| 18-3 |
3. Pas De Deux. The Firebird And Ivan Tsarevich |
4:49
|
| 18-4 |
4. Pantomime II |
0:26
|
| 18-5 |
5. Scherzo. Dance Of The Princesses |
2:17
|
| 18-6 |
6. Pantomime III |
1:15
|
| 18-7 |
7. Rondo (Khorovod) |
4:47
|
| 18-8 |
8. Infernal Dance |
4:34
|
| 18-9 |
9. Lullaby. The Firebird |
3:17
|
| 18-10 |
10. Finale |
3:13
|
Petrushka (1946 Version): Burlesque In 4 ScenesConductor – Leonard BernsteinOrchestra – Israel Philharmonic OrchestraPiano – Boris Berman |
| 18-11 |
Scene 1: The Shrovetide Fair |
7:08
|
| 18-12 |
Scene 1: Legerdemain Scene - Russian Dance |
2:46
|
| 18-13 |
Scene 2: Petrushka's Room |
4:17
|
| 18-14 |
Scene 3: The Moor's Room - Dance Of The Ballerina |
3:26
|
| 18-15 |
Scene 3: Waltz: The Ballerina And The Moor |
3:18
|
| 18-16 |
Scene 4: The Shrovetide Fair (Towards Evening) |
1:05
|
| 18-17 |
Scene 4: Dance Of The Nursemaids |
2:39
|
| 18-18 |
Scene 4: The Bear And The Peasant |
1:28
|
| 18-19 |
Scene 4: The Jovial Merchant With Two Gypsy Girls |
1:10
|
| 18-20 |
Scene 4: Dance Of The Coachmen And The Grooms |
2:06
|
| 18-21 |
Scene 4: The Masqueraders |
1:28
|
| 18-22 |
Scene 4: The Scuffle: Blackamoor And Petrushka |
0:45
|
| 18-23 |
Scene 4: Death Of Petrushka |
0:44
|
| 18-24 |
Scene 4: The Police And The Juggler |
1:15
|
| 18-25 |
Scene 4: Apparition Of Petrushka's Double |
0:49
|
|
Choral Music
|
| 19-1 |
Le Roi Des Étoiles (Zvezdolikiy) (1911/2): Sung In RussianChorus – The Cleveland Orchestra ChorusChorus Master – Gareth MorrellConductor – Pierre BoulezOrchestra – The Cleveland OrchestraText By – Konstantin Dmitrievich Balmont |
5:29
|
4 Russian Peasant Songs (1914-17): Sung In RussianAdapted By (Text) – Alexander AfanasyevChoir – Chœur de Radio FranceChorus Master – Jacques JouineauConductor – Pierre BoulezText By – Traditional |
| 19-2 |
1. On Saints' Day In Chigisakh |
0:42
|
| 19-3 |
2. Ovsen |
0:32
|
| 19-4 |
3. The Pike |
0:52
|
| 19-5 |
4. Master Portly |
1:10
|
| 19-6 |
Pater Noster (Otche Nash) : Sung In RussianChoir – Nederlands KamerkoorConductor – Reinbert de Leeuw |
1:29
|
Symphony Of Psalms Choir – The Monteverdi ChoirConductor – John Eliot GardinerOrchestra – The London Symphony Orchestra |
| 19-7 |
1. Exaudi Orationem Meam (Psalm 38, 13-14) |
3:03
|
| 19-8 |
2. Exspectans Exspectavi Dominum (Psalm 39, 2-4) |
5:51
|
| 19-9 |
3. Alleluia, Laudate Dominum (Psalm 150) |
11:17
|
| 19-10 |
Credo (Simvol Very) : Sung In RussianChoir – Nederlands KamerkoorConductor – Reinbert de Leeuw |
2:26
|
| 19-11 |
Ave Maria (Bogoroditse Devo) : Sung In RussianChoir – Nederlands KamerkoorConductor – Reinbert de Leeuw |
1:11
|
| 19-12 |
Babel : Cantata For Narrator, Male Chorus And OrchestraChorus – The Simon Joly Male Chorus*Conductor – Robert CraftNarrator – David Wilson-JohnsonOrchestra – The Philharmonia*Text By – Genesis 11, 1-9* |
4:50
|
Mass For Mixed Chorus And Double Wind Quintet (1944-48)Choir – Trinity Boys ChoirChorus – English Bach Festival ChorusChorus Master – David SquibbConductor – Leonard BernsteinEnsemble – Members Of The English Bach Festival Orchestra |
| 19-13 |
Kyrie |
3:13
|
| 19-14 |
Gloria |
4:20
|
| 19-15 |
Credo |
5:25
|
| 19-16 |
Sanctus |
3:58
|
| 19-17 |
Agnus Dei |
3:26
|
Cantata (1951/2): For Soprano, Tenor, Female Chorus And A Small Instrumental EnsembleChorus – Nederlands KamerkoorConductor – Reinbert de LeeuwEnsemble – Schönberg EnsembleSoprano Vocals – Rosemary HardyTenor Vocals – Ian BostridgeText By – Anonymous 15th- And 16th-Century English Verse* |
| 20-1 |
A Lyke-Wake Dirge, Versus I (Prelude): "This Ae Nighte" (Chorus) |
1:50
|
| 20-2 |
Ricercar I: "The Maidens Came" (Soprano) |
4:01
|
| 20-3 |
A Lyke-Wake Dirge, Versus II (1st Interlude): "If Ever Thou Gav'st Hos'n" (Chorus) |
1:48
|
| 20-4 |
Ricercar II (Sacred History): "Tomorrow Shall Be" (Tenor) |
10:37
|
| 20-5 |
A Lyke-Wake Dirge, Versus III (2nd Interlude): "From Whinnymuir" (Chorus) |
1:45
|
| 20-6 |
Westron Wind (Soprano) |
2:04
|
| 20-7 |
A Lyke-Wake Dirge, Versus IV (Postlude): "If Ever Thou Gav'st Meat" (Chorus) |
2:25
|
Canticum Sacrum Ad Honorem Sancti Marci Nominis For Tenor, Baritone, Mixed Chorus And OrchestraBaritone Vocals – Marcus CreedChorus – The Choir Of Christ Church CathedralConductor – Simon PrestonOrchestra – Philip Jones Ensemble*Tenor Vocals – Richard Morton Text By – Vulgate* |
| 20-8 |
Dedicatio: "Urbi Venetiae, In Laude Sancti Sui Presidis" (Tenor, Baritone) |
0:48
|
| 20-9 |
1. "Euntes In Mundum" (Chorus) |
2:09
|
| 20-10 |
2. "Surge, Aquilo" (Tenor) |
2:49
|
| 20-11 |
3. Ad Tres Virtutes Horationes: Caritas: "Diliges Dominum Deum" (Chorus) - Spes: "Qui Confidunt In Domino" (Tenor, Baritone, Chorus) - Fides: "Credidi, Propter Quod Locutus Sum" (Chorus) |
8:00
|
| 20-12 |
4. Brevis Motus Cantilenae: "Jesus Autem Ait Illi" (Baritone, Chorus) |
3:18
|
| 20-13 |
5. "Illi Autem Profecti" (Chorus) |
2:07
|
Threni Id Est: Lamentationes Jeremiae Prophetae (1957/8) For Soprano, Alto, 2 Tenor And 2 Bass Soloists, Chorus And OrchestraBass Vocals – David Wilson-Johnson, Martin Robson Chorus – Simon Joly ChoraleConductor – Robert CraftMezzo-soprano Vocals – Jennifer Lane Orchestra – The Philharmonia*Soprano Vocals – Julie MoffatTenor Vocals – Joseph Cornwell, Martyn Hill |
| 20-14 |
"Incipit Lamentatio Jeremiae Prophetae" (Soprano, Mezzo-Soprano) |
0:50
|
| 20-15 |
De Elegia Prima: "Aleph. Quomodo Sedet Sola Civitas" (Chorus, Tenor I) |
1:50
|
| 20-16 |
De Elegia Prima: Diphona I: "Plorans Ploravit" (Tenor I, Tenor II, Chorus) |
2:34
|
| 20-17 |
De Elegia Prima: Diphona Ii: "Vide, Domino" (Tenor I, Tenor II, Chor) |
2:50
|
| 20-18 |
De Elegia Tertia: 1. Querimonia: "Aleph. Ego Vir Videns" (Chorus, Bass II, Tenor I, Bass I, Tenor II) |
7:00
|
| 20-19 |
De Elegia Tertia: 2. Sensus Spei: "Heth. Misericordiae Domini" (Soli, Chorus) |
7:23
|
| 20-20 |
De Elegia Tertia: 3. Solacium: "Res. Judicasti, Domine" (Chorus, Soprano, Mezzo-Soprano, Tenor I, Bass I & II) |
3:59
|
| 20-21 |
De Elegia Quinta: "Oratio Jeremiae Prophetae" (Soli, Chorus) |
2:18
|
Tres Sacrae Cantiones After Carlo Gesualdo Di Venosa (1957-59)Arranged By – Igor StravinskyChorus – Nederlands KamerkoorComposed By – Carlo GesualdoConductor – Reinbert de Leeuw |
| 21-1 |
1. Da Pacem, Domine |
2:05
|
| 21-2 |
2. Assumpta Est Maria |
2:12
|
| 21-3 |
3. Illumina Nos |
2:40
|
A Sermon, A Narrative And A Prayer (1960/1): Cantata For Speaker, Mezzo-soprano, Tenor, Mixed Chorus And OrchestraChorus – Gregg Smith SingersConductor – Robert CraftMezzo-soprano Vocals – Jennifer Lane Orchestra – The Philharmonia*Speech – David Wilson-JohnsonTenor Vocals – Joseph Cornwell, Martyn HillText By – St. Paul's Epistles, Acts Of The Apostles* |
| 21-4 |
1. A Sermon (Chorus, Tenor) |
4:21
|
| 21-5 |
2. A Narrative (Speaker, Mezzo-Soprano, Tenor) |
7:42
|
| 21-6 |
3. A Prayer (Mezzo-Soprano, Tenor, Chorus)Text By – Thomas Dekker |
4:34
|
| 21-7 |
Anthem "The Dove Descending Breaks The Air" Chorus – Nederlands KamerkoorConductor – Reinbert de LeeuwText By – T. S. Eliot |
2:18
|
| 21-8 |
Introitus (T.S. Eliot In Memoriam) Chorus – Nederlands KamerkoorConductor – Reinbert de Leeuw |
4:06
|
Requiem Canticles (1965/6) For Contralto, Bass, Chorus And OrchestraBass Vocals – David Wilson-JohnsonChorus – New London Chamber ChoirConductor – Oliver KnussenContralto Vocals – Susan BickleyOrchestra – London Sinfonietta |
| 21-9 |
1. Prelude |
1:11
|
| 21-10 |
2. Exaudi (Chorus) |
1:38
|
| 21-11 |
3. Dies Irae (Chorus) |
0:52
|
| 21-12 |
4. Tuba Mirum (Bass) |
1:09
|
| 21-13 |
5. Interlude |
3:08
|
| 21-14 |
6. Rex Tremendae (Chor) |
1:13
|
| 21-15 |
7. Lacrimosa (Contralto) |
1:49
|
| 21-16 |
8. Libera Me (Chorus) |
1:03
|
| 21-17 |
9. Postlude |
2:25
|
|
Solo Vocal
|
| 22-1 |
Storm Cloud : Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Alexander Pushkin* |
1:44
|
| 22-2 |
The Mushrooms Going To War : Sung In RussianBass Vocals – Mikhail Svetlov*Piano – Doris StevensonText By – Traditional |
6:00
|
Faun And Shepherdess Op. 2 : Sung In RussianConductor – Oliver KnussenOrchestra – The Cleveland OrchestraSoprano Vocals – Lucy SheltonText By – Alexander Pushkin* |
| 22-3 |
1. The Shepherdess |
3:14
|
| 22-4 |
2. The Faun |
3:22
|
| 22-5 |
3. The River |
3:27
|
3 Little Songs "Recollections Of My Childhood" (1906-13): Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Traditional |
| 22-6 |
1. The Magpie |
0:22
|
| 22-7 |
2. The Rook |
0:47
|
| 22-8 |
3. The Jackdaw |
0:40
|
| 22-9 |
Pastorale : Song Without WordsPiano – John ConstableSoprano Vocals – Lucy Shelton |
2:02
|
2 Songs Op. 6 (1907/8): Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Sergey Gorodetzky* |
| 22-10 |
1. Spring (The Cloister) |
5:42
|
| 22-11 |
2. A Song Of The Dew (Mystic Song Of The Ancient Russian Flagellants) |
4:22
|
2 Poems Of Paul Verlaine Op. 9 (1910, Arr. 1951/2): Sung In RussianBaritone Vocals – John Shirley-QuirkConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainText By – Paul Verlaine |
| 22-12 |
2. The White Moon |
3:27
|
| 22-13 |
1. Sleep |
1:31
|
2 Poems Of Konstantin Balmont : Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Konstantin Dmitrievich Balmont |
| 22-14 |
1. Forget-me-nots |
1:14
|
| 22-15 |
2. The Dove |
1:39
|
3 Japanese Lyrics (1912/3): Sung In RussianConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonTranslated By – A. Brandt* |
| 22-16 |
1. Akahito |
0:49
|
| 22-17 |
2. Mazatsumi |
1:01
|
| 22-18 |
3. Tsaraiuki |
1:31
|
4 Pleasant Songs (Pribaoutki) : Sung In RussianBaritone Vocals – John Shirley-QuirkConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainText By – Traditional |
| 22-19 |
1. Uncle Pierre |
0:51
|
| 22-20 |
2. Natashka |
0:26
|
| 22-21 |
3. The Colonel |
0:48
|
| 22-22 |
4. The Old Man And The Hare |
2:19
|
Cat's Cradle Songs : Sung In RussianConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainMezzo-soprano Vocals – Ann MurrayText By – Traditional |
| 22-23 |
1. On The Stove |
0:41
|
| 22-24 |
2. At Home |
1:00
|
| 22-25 |
3. Lullaby |
1:18
|
| 22-26 |
4. The Cat Has... |
0:52
|
3 Children's Tales (1916/7): Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Traditional |
| 22-27 |
1. Tilim-bom |
1:09
|
| 22-28 |
2. Geese And Swans |
0:31
|
| 22-29 |
3. The Bear's Song |
3:16
|
| 22-30 |
Berceuse : Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Igor Stravinsky |
1:17
|
4 Russian Songs (1918/9): Sung In RussianPiano – John ConstableSoprano Vocals – Lucy SheltonText By – Traditional |
| 23-1 |
1. The Drake |
1:16
|
| 23-2 |
2. Counting Song |
0:54
|
| 23-3 |
3. The Sparrow |
1:06
|
| 23-4 |
4. Dissident Song |
1:39
|
| 23-5 |
Song Of Parasha From The Opera Mavra (1921/2): Sung In RussianAdapted By (Text) – Boris KochnoConductor – Pierre BoulezOrchestra – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonText By – Alexander Pushkin* |
2:11
|
| 23-6 |
Tilim-bom Arr. For Voice And Orchestra From 3 Children's Tales: Sung In RussianConductor – Pierre BoulezOrchestra – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonText By – Traditional |
1:13
|
| 23-7 |
Pastorale Arr. For Voice And Wind Instruments : Song Without WordsConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-Julson |
1:55
|
3 Little Songs "Recollections Of My Childhood" Arr. For Voice And Small Orchestra (1929/30): Sung In RussianConductor – Pierre BoulezOrchestra – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonText By – Traditional |
| 23-8 |
1. The Magpie |
1:03
|
| 23-9 |
2. The Rook |
1:04
|
| 23-10 |
3. The Jackdaw |
1:00
|
| 23-11 |
Petit Ramusianum Harmonique : Hommage À C. F. RamuzBaritone Vocals – Martin Bruns*Text By – Charles-Albert Cingria, Igor Stravinsky |
2:06
|
| 23-12 |
Hommage À Nadia Boulanger: "Diex, Com Leur Avient" : Petit Canon Pour La Fête De Nadia BoulangerMezzo-soprano Vocals – Ronnita MillerSoprano Vocals – Heidi StoberText By – Jean de Meung |
0:31
|
3 Songs From William Shakespeare Conductor – Pierre BoulezEnsemble – Ensemble IntercontemporainMezzo-soprano Vocals – Ann MurrayText By – William Shakespeare |
| 23-13 |
1. Musick To Heare (Sonnet No. 8) |
2:54
|
| 23-14 |
2. Full Fadom Five (The Tempest, I/2) |
1:58
|
| 23-15 |
3. When Dasies Pied (Love's Labour Lost, V/2) |
2:22
|
4 Songs For Voice, Flute, Harp And Guitar (1953/4) Arr. Of Nos. 1 & 4 From 4 Russian Songs And Nos. 2 & 1 From 3 Children's Tales: Sung In RussianConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonText By – Traditional |
| 23-16 |
1. The Drake |
1:15
|
| 23-17 |
2. A Russian Spiritual |
2:05
|
| 23-18 |
3. Geese And Swans |
0:32
|
| 23-19 |
4. Tilim-bom |
1:11
|
2 Poems Of Konstantin Balmont Arr. For Voice And Chamber Orchestra : Sung In RussianConductor – Pierre BoulezOrchestra – Ensemble IntercontemporainSoprano Vocals – Phyllis Bryn-JulsonText By – Konstantin Dmitrievich Balmont |
| 23-20 |
1. Forget-me-nots |
1:16
|
| 23-21 |
2. The Dove |
1:39
|
| 23-22 |
In Memoriam Dylan Thomas: "Do Not Go Gently Into That Good Night" Conductor – Pierre BoulezEnsemble – Ensemble IntercontemporainTenor Vocals – Robert TearText By – Dylan Thomas |
7:50
|
Abraham And Isaac (1962/3): Sacred Ballad For Baritone And Chamber OrchestraBaritone Vocals – David Wilson-JohnsonConductor – Oliver KnussenOrchestra – London SinfoniettaText By – Genesis 22, 1-19* |
| 23-23 |
Vay'hi Ahar Hadvarim Ha'ēleh V'ha'Elohim |
3:24
|
| 23-24 |
Vayikakh Avrahem Et Atzē Ha'olah |
4:20
|
| 23-25 |
Vayi Sa Avrahem Et Ēnav Vayat V'hinēh |
3:35
|
| 23-26 |
Elegy For J. F. K.: "When A Just Man Dies" Baritone Vocals – John Shirley-QuirkConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainText By – W. H. Auden |
1:48
|
| 23-27 |
The Owl And The Pussy-Cat Piano – John ConstableSoprano Vocals – Lucy SheltonText By – Edward Lear |
3:06
|
2 Sacred Songs Arr. From Spanisches Liederbuch By Hugo WolfConductor – Pierre BoulezEnsemble – Ensemble IntercontemporainMezzo-soprano Vocals – Ann Murray |
| 23-28 |
1. Herr, Was Trägt Der Boden HierText By – AnonymousTranslated By – Paul Heyse |
2:34
|
| 23-29 |
2. Wunden Trägst Du, Mein GeliebterText By – José de ValdivielsoTranslated By – Emanuel Geibel |
5:07
|
|
Chamber Music
|
3 Pieces For String Quartet Cello – Eric BartlettViola – Maureen GallagherViolin – Naoko Tanaka, Todd Phillips |
| 24-1 |
1. ♩ = 126 |
0:56
|
| 24-2 |
2. ♩ = 76 |
2:16
|
| 24-3 |
3. Half Note = 40 |
4:11
|
| 24-4 |
Duet "Lied Ohne Name" For 2 Bassoons (1916-18)Bassoon – Dennis Godburn, Frank Morelli |
0:43
|
| 24-5 |
Pour Pablo Picasso For Clarinet Solo Clarinet – Charles Neidich |
0:26
|
| 24-6 |
3 Pieces For Clarinet Solo Clarinet – Alain Damiens |
4:03
|
The Soldier's Tale: Concert Suite (1918/9)Conductor – Pierre BoulezEnsemble – Members Of The Cleveland Orchestra* |
| 24-7 |
1. The Soldier's March |
1:48
|
| 24-8 |
2. Airs By A Stream |
2:41
|
| 24-9 |
3. Pastorale |
3:56
|
| 24-10 |
4. The Royal March |
2:42
|
| 24-11 |
5. The Little Concert |
3:07
|
| 24-12 |
6. Three Dances: Tango - Valse - Ragtime |
6:15
|
| 24-13 |
7. The Devil's Dance |
1:23
|
| 24-14 |
8. Great Chorale |
2:43
|
| 24-15 |
9. Triumphal March Of The Devil |
2:21
|
| 24-16 |
La Marseillaise After Claude-Joseph Rouget De Lisle Arranged By – Igor StravinskyComposed By – Rouget de LisleViolin – Isabelle van Keulen |
1:13
|
| 24-17 |
Concertino For String Quartet Conductor – Pierre BoulezEnsemble – Ensemble Intercontemporain |
6:34
|
Octet For Wind Instruments (1922/3)Ensemble – Members Of The Orpheus Chamber Orchestra* |
| 24-18 |
1. Sinfonia. Lento - Allegro Moderato |
3:54
|
| 24-19 |
2. Tema Con Variazioni. Andantino |
7:31
|
| 24-20 |
3. Finale. Tempo Giusto |
3:26
|
Duo Concertant For Violin And Piano (1931/2)Piano – Olli MustonenViolin – Isabelle van Keulen |
| 25-1 |
1. Cantilène |
2:52
|
| 25-2 |
2. Églogue 1 |
2:20
|
| 25-3 |
3. Églogue 2 |
3:06
|
| 25-4 |
4. Gigue |
3:51
|
| 25-5 |
5. Dithyrambe |
2:55
|
Suite Italienne Arr. From The Ballet Pulcinella By Igor Stravinsky And Gregor PiatigorskyArranged By – Gregor Piatigorsky, Igor StravinskyCello – Mischa MaiskyComposed By – Igor StravinskyPiano – Martha Argerich |
| 25-6 |
1. Introduzione. Allegro Moderato |
2:15
|
| 25-7 |
2. Serenata. Larghetto |
3:07
|
| 25-8 |
3. Aria. Allegro Alla Breve |
5:32
|
| 25-9 |
4. Tarantella. Vivace |
2:06
|
| 25-10 |
5. Minuetto E Finale. Moderato - Molto Vivace |
4:40
|
| 25-11 |
Pastorale Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin Arranged By – Igor Stravinsky, Samuel DushkinComposed By – Igor StravinskyPiano – Olli MustonenViolin – Isabelle van Keulen |
3:19
|
Divertimento After The Ballet The Fairy's Kiss Arr. For Violin And Piano By Igor Stravinsky And Samuel Dushkin Arranged By – Igor Stravinsky, Samuel DushkinComposed By – Igor StravinskyPiano – Olli MustonenViolin – Isabelle van Keulen |
| 25-12 |
1. Sinfonia |
6:30
|
| 25-13 |
2. Danses Suisses |
4:45
|
| 25-14 |
3. Scherzo |
3:11
|
| 25-15 |
4. Pas De Deux. Adagio - Variation - Coda |
6:13
|
| 25-16 |
Élégie For Viola Solo Viola – Gérard Caussé |
5:10
|
Septet For Clarinet, Horn, Bassoon, Violin, Viola, Violoncello And Piano (1952/3)Ensemble – Members Of The Boston Symphony Chamber Players* |
| 25-17 |
1. ♩ = 88 |
3:12
|
| 25-18 |
2. Passacaglia. ♩ = 60 |
5:06
|
| 25-19 |
3. Gigue. ♪. = 112-116 |
3:29
|
| 25-20 |
Epitaphium For Flute, Clarinet And Harp Conductor – Pierre BoulezEnsemble – Ensemble Intercontemporain |
1:36
|
| 25-21 |
Double Canon For String Quartet Conductor – Pierre BoulezEnsemble – Ensemble Intercontemporain |
1:41
|
| 25-22 |
Fanfare For A New Theatre For 2 Trumpets Trumpet – Chris Gekker, Raymond Mase |
0:41
|
|
Piano Music
|
| 26-1 |
Scherzo In G Minor Piano – Víkingur Ólafsson |
2:14
|
Piano Sonata In F Sharp Minor (1903/4)Piano – Paul Crossley |
| 26-2 |
1. Allegro |
11:24
|
| 26-3 |
2. Scherzo. Vivo |
4:46
|
| 26-4 |
3. Andante |
7:15
|
| 26-5 |
4. Finale. Allegro - Andante |
6:08
|
4 Études For Piano Op. 7 Piano – Marie-Françoise Bucquet |
| 26-6 |
1. Con Moto |
1:13
|
| 26-7 |
2. Allegro Brillante |
2:56
|
| 26-8 |
3. Andantino |
2:43
|
| 26-9 |
4. Vivo |
2:11
|
| 26-10 |
Valse Des Fleurs For Piano Duet Piano – Halla Oddný Magnúsdóttir, Víkingur Ólafsson |
0:35
|
3 Easy Pieces For Piano Duet (1914/5)Piano – Katia Et Marielle Labèque |
| 26-11 |
1. Marche |
1:09
|
| 26-12 |
2. Valse |
1:49
|
| 26-13 |
3. Polka |
0:43
|
| 26-14 |
Souvenir D'Une Marche Boche Piano – Víkingur Ólafsson |
1:38
|
5 Easy Pieces For Piano Duet Piano – Katia Et Marielle Labèque |
| 26-15 |
1. Andante |
1:08
|
| 26-16 |
2. Española |
0:47
|
| 26-17 |
3. Balalaika |
0:47
|
| 26-18 |
4. Napolitana |
0:56
|
| 26-19 |
5. Galop |
1:38
|
| 26-20 |
Valse Pour Les Enfants (1916/7)Piano – Marie-Françoise Bucquet |
1:04
|
| 26-21 |
Ragtime (1917/8) Arr. Of Ragtime For 11 InstrumentsPiano – Marie-Françoise Bucquet |
4:49
|
| 26-22 |
Piano-Rag-Music Piano – Marie-Françoise Bucquet |
3:12
|
The Five Fingers : Eight Very Easy Tunes On Five NotesPiano – Marie-Françoise Bucquet |
| 26-23 |
1. Andantino |
0:50
|
| 26-24 |
2. Allegro |
0:51
|
| 26-25 |
3. Allegretto |
0:44
|
| 26-26 |
4. Larghetto |
0:57
|
| 26-27 |
5. Moderato |
0:39
|
| 26-28 |
6. Lento |
0:53
|
| 26-29 |
7. Vivo |
0:28
|
| 26-30 |
8. Pesante |
1:20
|
3 Movements From Petrushka Piano – Maurizio Pollini |
| 27-1 |
1. Russian Dance |
2:32
|
| 27-2 |
2. Petrushka's Room |
4:17
|
| 27-3 |
3. The Shrovetide Fair |
8:27
|
Piano Sonata Piano – Marie-Françoise Bucquet |
| 27-4 |
1. ♩ = 112 |
3:34
|
| 27-5 |
2. Adagietto |
5:04
|
| 27-6 |
3. ♩ = 112 |
2:59
|
Serenade In A Piano – Marie-Françoise Bucquet |
| 27-7 |
1. Hymne |
2:53
|
| 27-8 |
2. Romanza |
2:55
|
| 27-9 |
3. Rondoletto |
2:55
|
| 27-10 |
4. Cadenza Finale |
3:51
|
Concerto For 2 Solo Pianos (1932-35)Piano – Alfons & Aloys Kontarsky |
| 27-11 |
1. Con Moto |
6:33
|
| 27-12 |
2. Notturno. Adagietto |
5:30
|
| 27-13 |
3. Quattro Variazioni |
4:42
|
| 27-14 |
4. Preludio E Fuga. Lento |
5:09
|
| 27-15 |
Tango Piano – Marie-Françoise Bucquet |
3:59
|
| 27-16 |
Circus Polka For A Young Elephant Arr. Of Circus Polka For OrchestraPiano – Marie-Françoise Bucquet |
3:47
|
Sonata For 2 Pianos (1943/4)Piano – Alfons & Aloys Kontarsky |
| 27-17 |
1. Moderato |
4:21
|
| 27-18 |
2. Theme With Variations. Largo |
4:27
|
| 27-19 |
3. Allegretto |
2:00
|
|
Historical Recordings
|
Violin Concerto In D (1935 Recording)Conductor – Igor StravinskyOrchestra – Orchestre Lamoureux*Violin – Samuel Dushkin |
| 28-1 |
1. Toccata |
5:57
|
| 28-2 |
2. Aria I |
4:18
|
| 28-3 |
3. Aria II |
4:32
|
| 28-4 |
4. Capriccio |
6:05
|
The Soldier's Tale (1962 Recording): To Be Read, Played And Danced In 2 PartsBassoon – Henri HelaertsClarinet – Ulysse DelecluseConductor – Igor MarkevitchDouble Bass – Joachim GutLibretto By – Charles-Ferdinand RamuzNarrator – Jean CocteauPercussion – Charles PeschierSpeech [The Devil] – Peter UstinovSpeech [The Princess] – Anne ToniettiSpeech [The Soldier] – Jean-Marie FerteyTrombone – Roland SchnorkhTrumpet – Maurice AndréViolin – Manoug Parikian |
| 28-5 |
Part 1: The Soldier's March - "Entre Denges Et Denezy" (Narrator) - "Voilà Un Joli Endroit" (Soldier, Narrateur) |
2:33
|
| 28-6 |
Part 1: Music For Scene 1: Airs By A Stream - "Le Diable Paraît" (Narrator) - "Donnez-moi Votre Violon" (Devil, Soldier, Narrator) |
6:32
|
| 28-7 |
Part 1: The Soldier's March - "Entre Denges Et Denezy" (Narrator) - "Bravo! Ça Y Est!" (Soldier, Narrator) |
4:03
|
| 28-8 |
Part 1: Music For Scene 2: Pastorale - "Ah! Brigand!" (Soldier, Devil) |
3:49
|
| 28-9 |
Part 1: Music For The End Of Scene 2 - "Il S'Est Mis À Lire Le Livre" (Narrator, Soldier, Devil) |
5:42
|
| 28-10 |
Part 1: Music For The End Of Scene 2 - "Regardez, Monsieur" (Devil, Soldier, Narrator) |
1:46
|
| 28-11 |
Part 1: Music For Scene 3: Airs By A Stream - "Il Prend Le Livre" (Narrator) |
0:57
|
| 28-12 |
Part 2: The Soldier's March - "Entre Denges Et Denezy" (Narrator) - "Un Autre Pays À Présent" (Narrator, Soldier) |
2:55
|
| 28-13 |
Part 2: The Royal March - "On A Fait Marcher La Musique" (Soldier, Devil, Narrator) |
6:37
|
| 28-14 |
Part 2: The Little Concert - "Mademoiselle, À Présent, On Peut Le Dire" (Narrator) - "La Princesse Est Couchée" (Narrator) |
2:53
|
| 28-15 |
Part 2: 3 Dances: 1. Tango - "La Princesse Ouvre Les Yeux" (Narrator) - 2. Valse - "La Princesse Danse" (Narrator) - 3. Ragtime - "La Princesse Sourit" (Narrator) - "Le Soldat Et La Princesse Tombent Dans Les Bras L'Un De L'Autre" (Narrator, Devil, Soldier) |
6:45
|
| 28-16 |
Part 2: The Devil's Dance - "Le Diable Danse" (Narrator) - "Il Tombe À Terre, Épuise" (Narrator) |
1:25
|
| 28-17 |
Part 2: Little Chorale |
0:40
|
| 28-18 |
Part 2: The Devil's Song - "Ça Va Bien Pour Le Moment" (Devil) |
0:35
|
| 28-19 |
Part 2: Great Chorale - "Il Ne Faut Pas Vouloir Ajouter" (Narrator, Princess, Soldier) |
4:48
|
| 28-20 |
Part 2: Triumphal March Of The Devil - "Le Soldat A Baissé La Tête" (Narrator, Princess) |
2:04
|
Petrushka - Burlesque In 4 Scenes (1957 Recording)Conductor – Ernest AnsermetOrchestra – L'Orchestre De La Suisse Romande |
| 29-1 |
Scene 1: The Shrovetide Fair - Legerdemain Scene - Russian Dance |
9:57
|
| 29-2 |
Scene 2: Petrushka's Room |
4:19
|
| 29-3 |
Scene 3: The Moor's Room - Dance Of The Ballerina - Waltz: The Ballerina And The Moor - Petrushka |
7:27
|
| 29-4 |
Scene 4: The Shrovetide Fair - Dance Of The Nursemaids - The Peasant And The Bear - The Jovial Merchant With Two Gypsy Girls - Dance Of The Coachmen And Grooms - The Masqueraders - The Fight: The Moor And Petrushka - Death Of Petrushka |
13:26
|
The Rite Of Spring (1956 Recording): Scenes Of Pagan Russia In 2 PartsConductor – Pierre MonteuxOrchestra – The Paris Conservatoire Orchestra* |
| 29-5 |
Part 1: The Adoration Of The Earth: Introduction |
3:06
|
| 29-6 |
Part 1: The Adoration Of The Earth: The Augurs Of Spring (Dances Of The Young Girls) |
3:21
|
| 29-7 |
Part 1: The Adoration Of The Earth: Game Of Abduction |
1:27
|
| 29-8 |
Part 1: The Adoration Of The Earth: Spring Rounds |
3:19
|
| 29-9 |
Part 1: The Adoration Of The Earth: Games Of The Rival Tribes |
2:01
|
| 29-10 |
Part 1: The Adoration Of The Earth: Procession Of The Sage - Adoration Of The Earth |
0:46
|
| 29-11 |
Part 1: The Adoration Of The Earth: The Sage |
0:21
|
| 29-12 |
Part 1: The Adoration Of The Earth: Dance Of The Earth |
1:16
|
| 29-13 |
Part 2: The Sacrifice: Introduction |
3:49
|
| 29-14 |
Part 2: The Sacrifice: Mystic Circles Of The Young Girls |
3:06
|
| 29-15 |
Part 2: The Sacrifice: Glorification Of The Chosen One |
1:40
|
| 29-16 |
Part 2: The Sacrifice: Evocation Of The Ancestors |
0:43
|
| 29-17 |
Part 2: The Sacrifice: Ritual Action Of The Ancestors |
3:16
|
| 29-18 |
Part 2: The Sacrifice: Sacrificial Dance (The Chosen One) |
4:38
|
|
Bonus
|
The Rite Of Spring - Version For Piano Duet : Scenes Of Pagan Russia In 2 PartsPiano – Daniel Barenboim, Martha Argerich |
| 30-1 |
Part 1: The Adoration Of The Earth: Introduction - The Augurs Of Spring (Dances Of The Young Girls) - Game Of Abduction - Spring Rounds - Games Of The Rival Tribes - Procession Of The Sage - Adoration Of The Earth - The Sage - Dance Of The Earth |
14:50
|
| 30-2 |
Part 2: The Sacrifice: Introduction - Mystic Circles Of The Young Girls - Glorification Of The Chosen One - Evocation Of The Ancestors - Ritual Action Of The Ancestors - Sacrificial Dance (The Chosen One) |
17:26
|