Singer: Supersuckers Title: Must've Been High Released: 1997 Country: US Style: Country, Rock & Roll Genre: Rock / World Folk Country Rating: 4.5 Votes: 568 Formats: MP2 VQF AU DXD DTS MP3 ASF MP3 size: 1674 mb
Tracklist Hide Credits
1
Must've Been High
3:26
2
Dead In The Water
2:14
3
Barricade
3:22
4
Roamin' 'Round
3:04
5
Hungover Together
Vocals – Kelley Deal
4:06
6
Non-Addictive Marijuana
2:47
7
Blow You Away
3:05
8
The Captain
1:53
9
Roadworn And Weary
3:29
10
Hangin' Out With Me
2:21
11
Juicy Pureballs
1:51
12
One Cigarette Away
Acoustic Guitar [Solo] – Jesse Dayton
2:49
13a
Hangliders
2:51
13b
Supersucker Drive-By Blues
2:35
Credits
Banjo, Steel Guitar [Lap, Pedal]
–
Brian Thomas
Cover [Front Cover]
–
Whiting Tennis
Design
–
Kenneth Sherwood
Drums
–
Dancing Eagle
Electric Guitar, Vocals
–
Dan "Raised By Wolves" Bolton*
Engineer
–
Jon Dunleavy
Engineer [Assistant]
–
David Fisher,
Floyd Reitsma
Engineer [Mixing]
–
Larry Greenhill
Fiddle, Mandolin
–
Brantley Kearns
Guitar, Vocals
–
Renaldo Allegre
Harmonica, Blues Harp [Echo-harp, Baritone]
–
Mickey Raphael
Mixed By [Assistant]
–
Steve Chadie
Producer, Mixed By
–
Randall Jamail
Vocals, Bass, Acoustic Guitar
–
Eddie Spaghetti
Written-By
–
Dan Bolton (tracks: 2),
Danny Bland (tracks: 5),
Eddie Spaghetti (tracks: 1, 3, 4, 7-13),
Ron Heathman (tracks: 6)
Notes
Digipak
Track 13b is an unlisted, hidden track.
Recorded at Ironwood Studios, Seattle, Washington. Mixed at Pedernales Recording Studios, Spicewood, Texas. Mastering by Bernie Grundman Mastering, Hollywood, California.
Kelley Deal appears courtesy of Nice Records; Jesse Dayton appears courtesy of Justice Records; "You Know Who" appears courtesy of Island Records.
Technical Information: This particular recording remained in the analog until it was mastered for Compact Disc. Ten microphones were used to record the entire album, all Neuman tube microphones (U67, U47 and U149) except for a pair of Neuman stereo condensor microphones used as overhead mics on the drums. All of the effects that you hear on this record were created with live chambers, plate reverbs and analog tape slap delay.