|
The Gondoliers (Version with dialogue)
|
| 1-1 |
Overture |
|
Act One
|
| 1-2 |
List and learn |
| 1-3 |
Good morrow, pretty maids |
| 1-4 |
For the merriest fellows are we |
| 1-5 |
See, see at last they come to make their choice |
| 1-6 |
Buon' giorno, signorine! |
| 1-7 |
We're called gondolieri, but that's a vagary |
| 1-8 |
And now to choose our brides! |
| 1-9 |
Are you peeping? |
| 1-10 |
Thank you gallant gondolieri |
| 1-11 |
From the sunny Spanish shore |
| 1-12 |
In enterprise of martial kind |
| 1-13 |
O rapture, when alone together |
| 1-14 |
There was a time, a time for ever gone |
| 1-15 |
I stole the Prince |
| 1-16 |
But, bless my heart, consider my position! |
| 1-17 |
Try we life-long we can never |
| 1-18 |
Bride-groom and bride! |
| 1-19 |
When a merry maiden marries |
| 1-20 |
Kind sir, you cannot have the heart, our lives to part |
| 1-21 |
Do not give way to this uncalled-for grief |
| 1-22 |
Then one of us will be a Queen |
|
Disc: 2
|
|
Act One (continued)
|
| 2-1 |
Now pray, what us the cause of this |
| 2-2 |
Replying, we sing as one individual |
| 2-3 |
For ev'ryone who feels inclined |
| 2-4 |
Come let's away - our island crown awaits me |
| 2-5 |
Now, Marco dear, my wishes hear |
| 2-6 |
Then away they go to an island fair |
|
Act Two
|
| 2-7 |
Of happiness the very pith |
| 2-8 |
Rising early in the morning |
| 2-9 |
Take a pair of sparkling eyes |
| 2-10 |
Here we are, at the risk of our lives |
| 2-11 |
After sailing to this land |
| 2-12 |
Dance a cachucha, fandango, bolero |
| 2-13 |
There lived a king, as I've been told |
| 2-14 |
In a contemplative fashion |
| 2-15 |
With ducal pomp and ducal pride |
| 2-16 |
This polite attention |
| 2-17 |
On the day when I was wedded |
| 2-18 |
To help unhappy commoners |
| 2-19 |
Small titles and orders for mayors and recorders |
| 2-20 |
I am a courtier grave and serious |
| 2-21 |
Here is a case unprecedented! |
| 2-22 |
Now let the loyal lieges gather round |
| 2-23 |
Speak woman speak, we're all attention! |
| 2-24 |
The royal prince was by the king entrusted |
| 2-25 |
Luiz! Casilda! |
| 2-26 |
One more, gondolieri |
|
Disc: 3
|
|
The Grand Duke
|
| 3-1 |
Overture |
|
Act One
|
| 3-2 |
Won't it be a pretty wedding? |
| 3-3 |
Pretty Lisa, fair and tasty |
| 3-4 |
By the mystic regulation |
| 3-5 |
Were I a king in very truth |
| 3-6 |
How would I play this part |
| 3-7 |
My goodness me! What shall I do? |
| 3-8 |
Ten minutes since I met a chap |
| 3-9 |
About a century since |
| 3-10 |
Strange the views some people hold |
| 3-11 |
Now take a card, and gaily sing |
| 3-12 |
The good Grand Duke of Pfennig Halbpfennig |
| 3-13 |
A pattern to professors of monarchical autonomy |
| 3-14 |
As o'er out penny roll we sing |
| 3-15 |
When you find you're a broken-down critter |
| 3-16 |
Come hither, all you people |
|
Disc: 4
|
|
The Grand Duke
|
|
Act Two
|
| 4-1 |
As before you we defile |
| 4-2 |
Your loyalty our... At the outset I may mention |
| 4-3 |
Yes, Ludwig and his Julia are mated! |
| 4-4 |
Take care of him - he's much too good to live! |
| 4-5 |
Now Julia, come, consider it from this dainty point of |
| 4-6 |
Your Highness, there's a party at the door |
| 4-7 |
Now away to the wedding we go |
| 4-8 |
So ends my dream...Broken ev'ry promise plighted |
| 4-9 |
If the light of love's lingering ember |
| 4-10 |
Come, bumpers-aye, ever-so-many |
| 4-11 |
Why, who is this approaching? |
| 4-12 |
The Prince of Monte-Carlo |
| 4-13 |
His Highness we know not |
| 4-14 |
We're rigged out in magnificent array |
| 4-15 |
Dance |
| 4-16 |
Take my advice - when deep in debt |
| 4-17 |
Hurrah! Now away to the wedding |
| 4-18 |
Well, you're a pretty kind of fellow |
| 4-19 |
Happy couples, lightly treading |
| 4-20 |
Overture di Ballo |
|
Incidental Music to Shakespeare's "Henry VIII"
|
| 4-21 |
Allegro moderato alla Marcia |
| 4-22 |
Allegretto grazioso |
|
Disc: 5
|
|
H.M.S. Pinafore
|
| 5-1 |
Overture |
|
Act One
|
| 5-2 |
We shall sail the ocean blue |
| 5-3 |
Hail! Men o'war's men..I'm called little buttercup |
| 5-4 |
The nightingale sighed |
| 5-5 |
A maiden fair to see |
| 5-6 |
My gallant crew...I am the Captain of the Pinafore |
| 5-7 |
Sir, you are sad |
| 5-8 |
Sorry her lot who loves too well |
| 5-9 |
Over the bright blue sea |
| 5-10 |
Sir Joseph's barge is seen |
| 5-11 |
Now give three cheers...I am the monarch of the sea |
| 5-12 |
When I was a lad |
| 5-13 |
A British tar |
| 5-14 |
Refrain, audacious tar |
| 5-15 |
Can I survive this overbearing |
|
Disc: 6
|
|
H.M.S. Pinafore
|
| 6-1 |
Entracte |
|
Act Two
|
| 6-2 |
Fair moon to thee I sing |
| 6-3 |
Things are seldom what they seem |
| 6-4 |
The hours creep on apace |
| 6-5 |
Never mind the why and wherefore |
| 6-6 |
Kind Captain, I've important information |
| 6-7 |
Carefully on tip-toe...He is an Englishman |
| 6-8 |
Farewell, my own |
| 6-9 |
A many years ago |
| 6-10 |
A joy! Oh rapture unforseen |
|
Disc: 7
|
|
Iolanthe or The Peer and The Peri (Version with dialogue)
|
| 7-1 |
Overture |
|
Act One
|
| 7-2 |
Tripping hither, tripping thither |
| 7-3 |
Iolanthe! From thy dark exile |
| 7-4 |
Good morrow, good mother, Good mother, good morrow |
| 7-5 |
Fare thee well, attractive stranger |
| 7-6 |
Good morrow, good lover! Good lover, good morrow! |
| 7-7 |
None shall part us from each other |
| 7-8 |
Loudly let the trumpet bray |
| 7-9 |
Entrance of the Lord Chancellor tha's |
| 7-10 |
The law is the embodiment |
| 7-11 |
My well-beloved Lord |
| 7-12 |
Nay, tempt me not |
| 7-13 |
Spurn not the nobly born |
| 7-14 |
Lords, it may not be |
| 7-15 |
Said I to myself, said I |
| 7-16 |
When darkly looms the day |
|
Disc: 8
|
|
Iolanthe or The Peer and The Peri (Version with dialogue)
|
|
Act Two
|
| 8-1 |
When all night long a chap remains |
| 8-2 |
Strephon's a member of Parliament |
| 8-3 |
When Britain really ruled the waves |
| 8-4 |
In vain to us you plead |
| 8-5 |
Oh, foolish fay |
| 8-6 |
Though p'r'aps I may incur your blame |
| 8-7 |
Love unrequited |
| 8-8 |
If you go in you're sure to win |
| 8-9 |
If you're weak enough to tarry |
| 8-10 |
My Lord, a suppliant at your feet |
| 8-11 |
It may not be |
| 8-12 |
Soon as we may, off and away |
|
Disc: 9
|
|
The Mikado or The Town of Titipu (Version without dialogue)
|
| 9-1 |
Overture |
|
Act One
|
| 9-2 |
If you want to know who we are |
| 9-3 |
Gentlemen, I pray you tell me maiden... |
| 9-4 |
A wand'ring minstrel I |
| 9-5 |
Our great Mikado, virtuous man |
| 9-6 |
Young man, despair |
| 9-7 |
And I have journey'd for a month |
| 9-8 |
Behold the Lord High Executioner |
| 9-9 |
As someday it may happen that a victim... |
| 9-10 |
Comes a train of little ladies |
| 9-11 |
Three little maids from school are we |
| 9-12 |
So please you, Sir, we much regret |
| 9-13 |
Were you not to Ko-Ko plighted |
| 9-14 |
I am so proud, If I allowed |
| 9-15 |
With aspect stern and gloomy stride |
| 9-16 |
The threaten'd cloud has pass'd away |
| 9-17 |
Your revels cease! Assist me, all of you! |
| 9-18 |
Oh fool, that flee-est My hallow'd joys! |
| 9-19 |
For he's going to marry Yum-Yum |
| 9-20 |
The hour of gladness is dead and gone |
| 9-21 |
Ye torrents roar! Ye tempests howl! |
|
Disc: 10
|
|
The Mikado or The Town of Titipu (Version without dialogue)
|
|
Act Two
|
| 10-1 |
Braid the raven hair, Weave the supple tresses |
| 10-2 |
The sun whose rays are all ablaze |
| 10-3 |
Brightly dawns our wedding day |
| 10-4 |
Here's a how-de-do! |
| 10-5 |
Miya sama, miya sama, o n'mma no maye ni |
| 10-6 |
From ev'ry kind of man Obedience I expect |
| 10-7 |
A more humane Mikado never did in Japan exist |
| 10-8 |
The criminal cried as he dropp'd him down |
| 10-9 |
See how the fates their gifts allot |
| 10-10 |
The flowers that bloom in the spring, tra la |
| 10-11 |
Alone and yet alive |
| 10-12 |
Hearts do not break! They sting and ache |
| 10-13 |
On a tree by a river a little tom tit |
| 10-14 |
There is beauty in the bellow of the blast |
| 10-15 |
Fanfare |
| 10-16 |
For he's gone and married Yum-Yum |
|
Disc: 11
|
|
Patience (Version with dialogue)
|
| 11-1 |
Overture |
|
Act One
|
| 11-2 |
Twenty love-sick maidens we |
| 11-3 |
Still brooding on their mad infatuation! |
| 11-4 |
I cannot tell what this love may be |
| 11-5 |
Twenty love-sick maidens we |
| 11-6 |
The soldiers of our Queen |
| 11-7 |
If you want a receipt for that popular mystery |
| 11-8 |
In a doleful train two and two we walk all day |
| 11-9 |
Twenty love-sick maidens we |
| 11-10 |
When I first put this uniform on |
| 11-11 |
Am I alone and unobserved? |
| 11-12 |
If you're anxious for to shine in the high aesthetic.. |
| 11-13 |
Long years ago - fourteen, maybe |
| 11-14 |
Prithee, pretty maiden - Prithee |
| 11-15 |
Though to marry you |
| 11-16 |
Let the merry cymbals sound |
| 11-17 |
Now tell us, we pray you |
| 11-18 |
Heart broken at my Patience's barbarity |
| 11-19 |
Stay, we implore you, before our hopes are blighted |
| 11-20 |
Your maiden hearts, ah, do steel |
|
Disc: 12
|
|
Patience (Version with dialogue)
|
|
Act One (continued)
|
| 12-1 |
Come, walk up, and purchase with avidity |
| 12-2 |
We've been thrown over, we're aware |
| 12-3 |
And are you going a ticket to buy? |
| 12-4 |
Hold! Stay your hand! |
| 12-5 |
True love must single hearted be |
| 12-6 |
I hear the soft note of the echoing voice |
| 12-7 |
But who is this, whose god-like grace... |
| 12-8 |
List Reginald, whilst I confess a love that's all... |
|
Act Two
|
| 12-9 |
On such eyes as maidens cherish |
| 12-10 |
Sad is a woman's lot who, year by year |
| 12-11 |
Silvered is the raven hair |
| 12-12 |
Turn, oh turn in this direction |
| 12-13 |
A magnet hung in a hardware shop |
| 12-14 |
Love is a plaintive song |
| 12-15 |
So go to him and say to him, with compliment ironical |
| 12-16 |
It's clear that the mediaeval art alone retains... |
| 12-17 |
If Saphir I choose to marry, I shall be fixed... |
| 12-18 |
When I go out of the door |
| 12-19 |
I'm a Waterloo House young man |
| 12-20 |
After much debate internal, I on Lady Jane decide |
|
Disc: 13
|
|
The Pirates of Penzance or The Slave of Duty (Version with dialogue)
|
| 13-1 |
Overture |
|
Act One
|
| 13-2 |
Pour, oh pour the pirate sherry |
| 13-3 |
When Fred'ric was a little lad |
| 13-4 |
Oh, better far to live and die |
| 13-5 |
Oh, false one, you have deceived me |
| 13-6 |
Climbing over rocky mountain |
| 13-7 |
Stop! ladies, pray! A man! |
| 13-8 |
Oh, is there not one maiden breast |
| 13-9 |
Oh, sisters, deaf to pity's name, For shame! |
| 13-10 |
Poor wand'ring one! |
| 13-11 |
What ought we to do, Gentle sisters say? |
| 13-12 |
How beautifully blue the sky |
| 13-13 |
Stay, we must not lose our senses |
| 13-14 |
Hold, Monsters! |
| 13-15 |
I am the very model of a modern Major-General |
|
Disc: 14
|
|
The Pirates of Penzance or The Slave of Duty (Version with dialogue)
|
|
Act One (continued)
|
| 14-1 |
Oh, men of dark and dismal fate |
| 14-2 |
Hail Poetry, thou heav'n born maid! |
| 14-3 |
You may go, for you're at liberty |
| 14-4 |
Pray observe the magnanimity |
|
Act Two
|
| 14-5 |
Oh, dry the glist'ning tear |
| 14-6 |
Then Frederic |
| 14-7 |
When the foeman bares his steel |
| 14-8 |
Now for the pirates lair! |
| 14-9 |
When you had left our pirate fold |
| 14-10 |
Away, away, my heart's on fire |
| 14-11 |
All is prepared |
| 14-12 |
Stay, Fred'ric stay! |
| 14-13 |
Ah, leave me not to pine alone and desolate |
| 14-14 |
Oh, here is love and here is truth |
| 14-15 |
No, I'll be brave |
| 14-16 |
Sergeant approach (Dialogue) |
| 14-17 |
When a felon's not engaged in his employment |
| 14-18 |
A rollicking band of pirates we |
| 14-19 |
With cat-like tread |
| 14-20 |
Hush! Hush! Not a word |
| 14-21 |
Sighing softly to the river |
| 14-22 |
Now what is this, and what is that |
| 14-23 |
We triumph now |
| 14-24 |
Away with them, and place them at the bar |
| 14-25 |
Poor wand'ring ones, though ye have surely straye |
|
Disc: 15
|
|
Princess Ida or Castle Adamant (Version without dialogue)
|
| 15-1 |
Overture |
|
Act One
|
| 15-2 |
I Search throughout the panorama |
| 15-3 |
Now hearken to my strict command |
| 15-4 |
Today we meet...Ida was a twelve-month old |
| 15-5 |
From the distant panorama...We are warriors three |
| 15-6 |
If you give me your attention |
| 15-7 |
P'raps if you address the lady most politely |
|
Act Two
|
| 15-8 |
Towards the empyrean heights |
| 15-9 |
Mighty maiden with a mission |
| 15-10 |
Minerva...Oh, goddess wise |
| 15-11 |
Gently, gently, evidently |
| 15-12 |
I am a maiden, cold and stately |
| 15-13 |
The world is but a broken toy |
| 15-14 |
A lady fair, of lineage high |
| 15-15 |
The woman of the wisest wit |
| 15-16 |
Now would you like to rule the roost |
| 15-17 |
Merrily ring the luncheon bell |
| 15-18 |
Would you know the kind of maid |
| 15-19 |
Oh, joy! Our chief is sav'd |
| 15-20 |
We may remark, tho' nothing can dismay us |
|
Disc: 16
|
|
Princess Ida or Castle Adamant (Version without dialogue)
|
|
Act Three
|
| 16-1 |
Death to the invader |
| 16-2 |
I built upon a rock |
| 16-3 |
Whene'er I spoke sarcastic joke |
| 16-4 |
When anger spreads his wing |
| 16-5 |
This helmet I suppose |
| 16-6 |
This is our duty plain |
| 16-7 |
With joy abiding |
|
Pineapple Poll (arr. Mackerras)
|
|
Scene 1
|
| 16-8 |
Opening Dance |
| 16-9 |
Poll's solo and Pas de deux |
| 16-10 |
Belaye's solo |
| 16-11 |
Pas de trois |
| 16-12 |
Finale |
|
Scene 2
|
| 16-13 |
Poll's solo - Jasper's solo (Intermezzo) |
|
Scene 3
|
| 16-14 |
Belayes's solo and Sailors' Drill |
| 16-15 |
Poll's solo |
| 16-16 |
Entry of Belaye with Blanche as Bride |
| 16-17 |
Reconciliation |
| 16-18 |
Grand Finale |
|
Disc: 17
|
|
Ruddigore or The Witch's Curse (Without dialogue)
|
| 17-1 |
Overture |
|
Act One
|
| 17-2 |
Fair is rose as bright as May day |
| 17-3 |
Sir Rupert Murgatroyd, his leisure and his riches |
| 17-4 |
If somebody there chanced to be |
| 17-5 |
I know a youth who loves a little maid |
| 17-6 |
From the briny sea...I shipp'd, d'ye see |
| 17-7 |
Hornpipe |
| 17-8 |
My boy, you may take it from me |
| 17-9 |
The battle's roar is over |
| 17-10 |
In sailing o'er life's ocean wide |
| 17-11 |
Cheerily carols the lark...To a garden full ... fposies |
| 17-12 |
Welcome, gentry |
| 17-13 |
Oh why am I moody and sad? |
| 17-14 |
You understand? I think I do |
| 17-15 |
Hail the bride of seventeen summers |
| 17-16 |
Hold, bride and bridegroom |
|
Disc: 18
|
|
Ruddigore or The Witch's Curse (Without dialogue)
|
| 18-1 |
Overture, Original version |
|
Act Two
|
| 18-2 |
I once was as meek as a newborn lamb |
| 18-3 |
Happily coupled are we |
| 18-4 |
In bygone days I had thy love |
| 18-5 |
Painted emblems of a race |
| 18-6 |
When the night wind howls |
| 18-7 |
He yields! He yields! |
| 18-8 |
I once was a very abandon'd person |
| 18-9 |
My eyes are fully open to my awful situation |
| 18-10 |
There grew a little flower |
| 18-11 |
Oh, happy the lily when kiss'd by the bee |
|
Cox and Box (Version with dialogue)
|
| 18-12 |
Overture |
| 18-13 |
We sounded the trumpet |
| 18-14 |
Stay, Bouncer, stay! |
| 18-15 |
Hush'd is the bacon on the grid |
| 18-16 |
My master is punctual always in business |
| 18-17 |
Who are you, sir? |
| 18-18 |
The buttercup dwells on the lowly mead |
| 18-19 |
Not long ago...Finale |
|
Disc: 19
|
|
The Sorcerer (Version without dialogue)
|
| 19-1 |
Overture |
|
Act One
|
| 19-2 |
Ring forth, ye bells |
| 19-3 |
Constance, my daughter |
| 19-4 |
When he is here, I sigh with pleasure |
| 19-5 |
The air is charged with amatory numbers |
| 19-6 |
Time was, when love and I were well acquainted |
| 19-7 |
Sir Marmaduke...Minuet |
| 19-8 |
With heart and voice |
| 19-9 |
My kindly friends...Oh, happy young heart |
| 19-10 |
My child, I join in these congratulations |
| 19-11 |
With heart and with voice |
| 19-12 |
Welcome joy! adieu to sadness! |
| 19-13 |
All is prepar'd for sealing and for sighing |
| 19-14 |
Love feeds on many kinds of food |
| 19-15 |
My name is John Wellington Wells |
| 19-16 |
Sprites of earth and air |
| 19-17 |
Now to the banquet we press |
|
Disc: 20
|
|
The Sorcerer (Version without dialogue)
|
|
Act Two
|
| 20-1 |
'Tis twelve, I think |
| 20-2 |
Dear friends, take pity on my lot |
| 20-3 |
Thou hast the pow'r....It is not love |
| 20-4 |
I rejoice that it's decided |
| 20-5 |
Oh, I have wrought much evil with my spells... |
| 20-6 |
Alexis! Doubt me not...The fearful deed is done |
| 20-7 |
Oh, my voice is sad and low |
| 20-8 |
Oh, joyous boon |
| 20-9 |
Prepare for sad surprises |
| 20-10 |
Or he or I must die |
|
The Zoo
|
| 20-11 |
Introduction |
| 20-12 |
The British Public here - you see |
| 20-13 |
I loved her fondly |
| 20-14 |
And now let's go back to where we were...Ah maiden fair |
| 20-15 |
Where is he? |
| 20-16 |
Once more the face I loved so well |
| 20-17 |
Help! Ah Help! |
| 20-18 |
Ho-guards! Minions! |
| 20-19 |
Ladies and Gentlemen! |
| 20-20 |
We gather from what you have said |
| 20-21 |
Where is my daughter? |
| 20-22 |
I'm a simple little child |
| 20-23 |
My Father! |
| 20-24 |
Finale: What do I see in this disguise |
|
Disc: 21
|
| 21-1 |
Imperial March |
|
Utopia Limited (Comic opera in two acts)
|
|
Act One
|
| 21-2 |
Introduction |
| 21-3 |
In lazy langour (Phylla, Chorus) |
| 21-4 |
O make way for the Wise Men ! (Chorus) |
| 21-5 |
In every mental lore (Scaphio, Phantis, Chorus) |
| 21-6 |
Let all your doubts take wing (Scaphio, Phantis) |
| 21-7 |
Quaff the nectar (Chorus) |
| 21-8 |
A king of autocratic power we (King, Chorus) |
| 21-9 |
Altho' of native maids the cream (Nekaya, Kalyba) |
| 21-10 |
Bold-fac'd ranger (Lady Sophy, King) |
| 21-11 |
First you're born (King, Scaphio, Phantis) |
| 21-12 |
Subjected to your heavenly gaze |
| 21-13 |
Oh maiden rich in Girton lore (Chorus, Zara... Cpt... |
| 21-14 |
Ah! gallant solduer, brave and true |
| 21-15 |
It's understood, I think (Captain, Zara, Saphio... |
| 21-16 |
Oh admirable art! (Zara, Captain Fitzbattleaxe) |
| 21-17 |
Altho' your royal summons to appear (Finale, A. 1) |
| 21-18 |
A Company Promoter this, with special education |
|
Disc: 22
|
|
Utopia Limited (Comic opera in two acts)
|
|
Act Two
|
| 22-1 |
Oh, Zara... A tenor, all singers above (Cpt.) |
| 22-2 |
Words of love too loudly spoken (Zara, Cpt.) |
| 22-3 |
Society has quite forsaken all (King, Chorus) |
| 22-4 |
Entrance of Court |
| 22-5 |
Drawing room music |
| 22-6 |
This ceremonial...Eagle high... (King, Chorus) |
| 22-7 |
With fury deep we burn (Scaphio, Phantis) |
| 22-8 |
If you think that when...(King, Scaphio, Phantis) |
| 22-9 |
With wily brain.... (Tarara, Phantis, Scaphio) |
| 22-10 |
A wonderful joy our eyes to bless (Goldbury) |
| 22-11 |
Then I may sing and play? |
| 22-12 |
Oh, would some demon power... When a maid (Sophy) |
| 22-13 |
Ah, Lady Sophy (King, Lady Sophy) |
| 22-14 |
Oh rapture unrestrained (King, Lady Sophy) |
| 22-15 |
Tarantella...Upon our sea-girt land (Chorus) |
| 22-16 |
There's a little group of isles beyond the wave |
| 22-17 |
Overture Macbeth |
| 22-18 |
Victoria and Merrie England |
| 22-19 |
Overture: Marmion |
|
Disc: 23
|
|
The Yeomen of the Guard (Version without dialogue)
|
| 23-1 |
Overture |
|
Act One
|
| 23-2 |
"When maiden loves" |
| 23-3 |
"Tower warders under orders" |
| 23-4 |
When our gallant Norman foes |
| 23-5 |
"Alas! I waver to and fro" |
| 23-6 |
"Is life a boon?" |
| 23-7 |
"Here's a man of jollity" |
| 23-8 |
I have a song to sing, oh! |
| 23-9 |
"How say you, maiden" |
| 23-10 |
"I've jibe and joke" |
| 23-11 |
"'Tis done! I am a bride!" |
| 23-12 |
"Were I thy bride" |
| 23-13 |
"Oh, Sergeant Meryll" - "Ye Tower Warders", "Leonard Meryll!", "Forbear, my friends", "Didst thou not", "Leonard!", "As escort for the prisoner" |
|
Disc: 24
|
|
The Yeomen of the Guard (Version without dialogue)
|
|
Act Two
|
| 24-1 |
"Night has spread her pall once more" |
| 24-2 |
"Oh! a private buffoon" |
| 24-3 |
"Hereupon we're both agreed" |
| 24-4 |
"Free from his fetters grim" |
| 24-5 |
"Strange adventure!" |
| 24-6 |
"Hark! What was that, sir?"-"Who fired that shot?"-"Like a ghost his vigil keeping..."-"The river must be dragged" |
| 24-7 |
"A man who would woo a fair maid" |
| 24-8 |
"When a wooer goes a-wooing" |
| 24-9 |
"Rapture, rapture!" |
| 24-10 |
"Comes the pretty young bride"- "'Tis said to you"-"Hold, pretty one!" |
|
Trial by Jury
|
| 24-11 |
Hark the Hour of Ten is Sounding |
| 24-12 |
When First my Old, Old Love I Knew |
| 24-13 |
When I good friends was called to the Bar |
| 24-14 |
Where is the Plaintiff? |
| 24-15 |
May it please you my Lud! |
| 24-16 |
Oh, Gentlemen Listen I Pray |
| 24-17 |
A nice dilemma |
| 24-18 |
I Love him |
|
Disc: 25
|
|
Songs and Snatched (First Internatonal CD Release)
|
|
The Gondoliers
|
|
Act One
|
| 25-1 |
From The Sunny Spanish Shore |
| 25-2 |
There Was A Time, A Time For Ever Gone |
|
Act Two
|
| 25-3 |
To Help Unhappy Commoners |
|
Act One
|
| 25-4 |
Then One Of Us Will Be A Queen |
|
Iolanthe or The Peer and The Peri
|
|
Act Two
|
| 25-5 |
Love Unrequited (Nightmare Song) |
|
Act One
|
| 25-6 |
None Shall Part Us From Each Other |
|
Act Two
|
| 25-7 |
If You Go In You're Sure To Win |
|
Act One
|
| 25-8 |
When I Went To The Bar (Said I To Myself, Said I) |
|
Act Two
|
| 25-9 |
Though P'r'aps I May Incur Your Blame |
|
Ruddigore or The Witch's Curse
|
|
Act One
|
| 25-10 |
My Boy, You May Take It From Me |
| 25-11 |
I Know A Youth Who Loves A Little Maid |
|
Act Two
|
| 25-12 |
There Grew A Little Flower |
|
Act One
|
| 25-13 |
The Battle's Roar Is Over |
| 25-14 |
In Sailing O'er Life's Ocean Wide |
|
The Yeomen of the Guard
|
|
Act Two
|
| 25-15 |
Hereupon We're Both Agreed |
|
Act One
|
| 25-16 |
I've Jibe And Joke |
|
Act Two
|
| 25-17 |
When A Wooer Goes A-Wooing |
| 25-18 |
A Man Who Would Woo A Fair Maid |
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