Matrix / Runout (Side 2): (Etched) (T) P T OJC 210 B 1 C
Other versions
Category
Artist
Title (Format)
Label
Category
Country
Year
RLP 399
Bill Evans Trio* With Scott LaFaro, Paul Motian
Bill Evans Trio* With Scott LaFaro, Paul Motian -
Waltz For Debby (LP, Album, Mono)
Riverside Records
RLP 399
US
1961
SMJ-6118
Bill Evans Trio*
Waltz For Debby (LP, Album, RE)
Riverside Records, Milestone Records
SMJ-6118
Japan
1975
RM 399, RLP 399
Bill Evans Trio* With Scott LaFaro, Paul Motian
Bill Evans Trio* With Scott LaFaro, Paul Motian -
Waltz for Debby (LP, Mono)
Riverside Records, Riverside Records
RM 399, RLP 399
US
1963
DOG903
Bill Evans Trio*
Waltz For Debby (LP, Album, Num, 180)
Doxy
DOG903
Europe
2013
UCCO-99001
Bill Evans Trio*
Waltz For Debby (CD, Album, Ltd)
Riverside Records
UCCO-99001
Japan
2015
Tracklist Hide Credits
1
My Foolish Heart
Written-By – Washington*, Young*
4:54
2
Waltz For Debby (Take 2)
Written-By – Bill Evans
6:54
3
Detour Ahead (Take 2)
Written-By – Ellis*, Frigo*, Carter*
7:34
4
My Romance (Take 1)
Written-By – Hart*, Rodgers*
7:10
5
Some Other Time
Written-By – Green*, Camden*, Bernstein*
5:06
6
Milestones
Written-By – Miles Davis
6:30
Bonus Tracks
7
Waltz For Debby (Take 1)
Written-By – Evans*
6:49
8
Detour Ahead (Take 1)
Written-By – Ellis*, Frigo*, Carter*
7:18
9
My Romance (Take 2)
Written-By – Hart*, Rodgers*
7:14
10
Porgy (I Loves You, Porgy)
Written-By – Heyward*, Gershwin*, Gershwin*
5:59
Companies, etc.
Recorded At
–
Village Vanguard
Mastered At
–
The Mastering Lab
Licensed From
–
Fantasy, Inc.
Phonographic Copyright (p)
–
Fantasy, Inc.
Copyright (c)
–
Fantasy, Inc.
Phonographic Copyright (p)
–
Analogue Productions
Copyright (c)
–
Analogue Productions
Credits
Bass
–
Scott LaFaro
Design [Cover]
–
Ken Deardoff
Drums
–
Paul Motian
Engineer [Recording]
–
David Jones
Liner Notes
–
Joe Goldberg,
Orrin Keepnews
Mastered By
–
Doug Sax
Photography By [Booklet Photo]
–
Don Silverstein*
Piano
–
Bill Evans
Producer
–
Orrin Keepnews
Notes
Recorded in performance at the Village Vanguard, New York City; June 25, 1961.
This music was recorded using only vacuum-tube components and mastered from the original analog tapes using the Mastering Lab's proprietary all-tube electronics until the final digital conversion. The latest third-generation Analog-to-DSD converters by EMM Labs were used to transfer the music to the SACD layer. The CD layer was transferred directly to the Sony PCM 1630 system through a modified George Massenburg A/D converter.