Robert Fripp - The Return Of King Crimson mp3 download

Tracklist

The Return Of King Crimson - Side 1	31:04
A1.a	–Robert Fripp, Vic Garbarini	A Discussion With Robert Fripp
A1.b	–King Crimson	Sheltering Sky
A1.c	–Robert Fripp	Sound Effects Bits
A1.d	–The Roches	Hammond Song
A1.e	–King Crimson	Twenty First Century Schizoid Man
A1.f	–David Bowie	Fashion (Bowie's Scary Monsters)
A1.g	–King Crimson	In The Court Of The Crimson King
The Return Of King Crimson - Side 2	25:00
B1.a	–Robert Fripp, Vic Garbarini	A Discussion With Robert Fripp
B1.b	–Brian Eno	Baby's On Fire
B1.c	–The League Of Gentlemen	Heptaparaparshinokh
B1.d	–King Crimson	Elephant Talk

Credits

• Interviewee – Robert Fripp
• Interviewer – Vic Garbarini
• Producer, Engineer [Final Engineering] – Eddie Korvin

Notes

Sides are banded into a single track per side, with music inserts in the interview.

From a sticker on the cover:

- - -
The Return of King Crimson.

Ever since the news got out about the reformation of King Crimson the barrage of questions has been immense. "Where have they been?"Who are the musicians?" "Why now?" ad infinitum...
It is with this in mind that we present the ever ready Robert Fripp, communicator extraordinaire ( and the King Crimsoid himself) to discuss these and other questions.
Conducted by Vic Garbarini of Musician Player and Listener magazine, this interview took place at Blue Rock Studios in New York in late September. The topics include Fripp's work with David Bowie, Brian Eno, Blondie and the Roches; the future of King Crimson; the concept of Discipline itself as well as a discussion of how the English make their tea.
All in all, this is one of the most enjoyable 56 minutes you're likely to hear anywhere.

KING CRIMSON
DISCIPLINE

WBMS 119
- - -

Recorded at Blue Rock Studio, New York City.

(P) 1981 EG Records Ltd.
(P) 1979 Warner Bros. Records Inc.
(P) 1980 RCA Records
(P) 1974 Island Records
(P) 1981 EG Records Ltd.

Part of the "Warner Bros. Music Show" series.
In the early 1980's these were mailed to radio stations as promos to be aired only once as a radio show. Pressings were probably a run of a few hundred copies and may have been included as part of the Rockpool service that sent to 250 college stations.

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