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DMX Krew - Good Time Girl / Denki No Merodi mp3 download

DMX Krew - Good Time Girl / Denki No Merodi mp3 download
Singer: DMX Krew
Title: Good Time Girl / Denki No Merodi
Released: 1999
Style: Electro, Synth-pop
Genre: Electronic
Rating: 4.5
Votes: 661
Formats: DTS FLAC RA DMF AA VOX APE
MP3 size: 1327 mb

DMX Krew - Good Time Girl / Denki No Merodi mp3 download

Tracklist

A Good Time Girl
B Denki No Merodi

Companies, etc.

  • Phonographic Copyright (p) – Rephlex
  • Copyright (c) – Rephlex
  • Distributed By – Vital

Credits

  • Voice [Telephone Voice] – Melissa* (tracks: A)
  • Written-By, Producer, Performer [All Instruments], Vocals – Ed DMX

Notes

℗ & © 1999 Rephlex.
"Good Time Girl" taken from the forthcoming album "We Are DMX" Rephlex CAT 086 LP / CD.
Distributed in the UK by Vital
Made in England

Barcode and Other Identifiers

  • Barcode: 6 66908 00867 0
  • Matrix / Runout (Side A): CAT﹢086﹢P﹢A₂
  • Matrix / Runout (Side B): CAT086P B-01-1-

DMX Krew - Good Time Girl / Denki No Merodi mp3 album free



JoldGold
"Good Time Girl" is a magnificient, ultra sharp deadpan sardonic joke of a song, the (pop) musical equivalent of a killer witty dig addressed to wannabe girls of the kind that used to be named 'jockey sluts' and more generally to the self-important 'DJ culture' of the late 1990s. And as with the best humour, a good part of it is in the way of interpreting it (Ed Upton's voice sounds like a razorsharp version of Phil Oakey's), and of course it includes self mockery ("And don't you leave me your number girl/Just because you smell success"). Formally, on a sound production and songwriting level, it's clearly up there with the greatest synthpop songs it pastiches (and thus confirms DMX Krew's true, understated and underrated pop genius - but that's another story entirely that would deserve a whole book). Together with Cylob's hilarious record titles ("Cylob' Latest Effort", "Previously Unavailable On Compact-Disc"...), and the label's general sharp and witty aesthetic (Richard James and Grant Wilson-Claridge's malicious brains might be no strangers to that either), it confirms Rephlex as a stable representing a post-rave, grinding modernized version of the english wit the most fittingly imo.And if you add the fact that the shaped vinyl, when played on the image side, looks like a dog's head turning round, one can admit that what we have here is a perfect, twisted pop artifact.
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