| 1 |
–Grant Chu Covell |
Arriving At Laughter |
5:40
|
| 2 |
–Kazumi Umeda |
Vsc3 Fantasy |
2:54
|
| 3 |
–Kazumi Umeda |
A Message From My Accountant |
4:18
|
| 4 |
–Grant Chu Covell |
We Are Not Mad, We Are Serious |
1:56
|
| 5 |
–Kazumi Umeda |
Five Emily Dickinson Songs For Flute And Electronics: 1. I Had A TerrorFlute – Renée Oakford |
1:49
|
| 6 |
–Kazumi Umeda |
Five Emily Dickinson Songs For Flute And Electronics: 2. A Toad Can Die Of LightFlute – Renée Oakford |
1:23
|
| 7 |
–Kazumi Umeda |
Five Emily Dickinson Songs For Flute And Electronics: 3. You Must Let Me Go FirstFlute – Renée Oakford |
1:10
|
| 8 |
–Kazumi Umeda |
Five Emily Dickinson Songs For Flute And Electronics: 4. You Remember My Ideal CatFlute – Renée Oakford |
0:36
|
| 9 |
–Kazumi Umeda |
Five Emily Dickinson Songs For Flute And Electronics: 5. The Going From A World We KnowFlute – Renée Oakford |
1:45
|
| 10 |
–Grant Chu Covell |
Die Zweite Sommer Abendstimmung Am Traunsee |
14:47
|
| 11 |
–Kazumi Umeda |
A Study In Metal And GlassPiano – Kazumi Umeda |
3:55
|
| 12 |
–Kazumi Umeda |
Suite From 32 Prospect Park FragmentsPiano – Kazumi Umeda |
2:26
|
| 13 |
–Grant Chu Covell |
In Distress, In Disgrace, Or Three Entries To Form A Diary Of Automatic Writing: 1. |
3:30
|
| 14 |
–Grant Chu Covell |
In Distress, In Disgrace, Or Three Entries To Form A Diary Of Automatic Writing: 2. |
3:28
|
| 15 |
–Grant Chu Covell |
In Distress, In Disgrace, Or Three Entries To Form A Diary Of Automatic Writing: 3. |
3:58
|
| 16 |
–Kazumi Umeda |
Three Sampler Studies: 1. Nothing In The Cry Of Cicadas Suggest They Are About To Die |
3:53
|
| 17 |
–Kazumi Umeda |
Three Sampler Studies: 2. The Weather Was Bleak Then And It Doesn't Look Much Clearer Now |
5:18
|
| 18 |
–Kazumi Umeda |
Three Sampler Studies: 3. I'll Pick Up My Guitar And Play |
2:14
|
| 19 |
–Kazumi Umeda, Grant Chu Covell |
Spindle RemixPiano – Kazumi Umeda |
4:49
|
| 20 |
–Kazumi Umeda, Grant Chu Covell |
Frank |
6:07
|
Old-school electronic and electro-acoustic works that recall the classic sound worlds of Iannis Xenakis, Michel Chion, Toru Takemitsu, Luc Ferrari, Pierre Henry, Francisco Lopez, Karlheinz Stockhausen, Lionel Marchetti, and Francis Dhomont. Kazumi Umeda and Grant Chu Covell first met as students at the Oberlin Conservatory of Music and over the years have maintained a dialogue, collaborating and exchanging ideas, inspirations, and raw materials for compositions.