| A1 |
–Jean-Claude Risset, D. Morrill* |
Trumpet Tone Synthesis / Brass And Percussion Sound Synthesis |
| A2 |
–Max Mathews |
Ever Ascending Tone Pitch Paradox |
| A3 |
–Max Mathews |
Duet With Electronic Violin And An Acoustic Violin |
| B1 |
–Max Mathews |
Violin With Brass Timbre |
| B2 |
–J. Ollive |
Mari-ia-a (Excerpt) |
| B3 |
–Ingmar Bengtsson & Alf Gabrielsson |
Three Examples Of Monophonic Rhythm Stimuli Performed On A Bongo Drum Or Side Drum |
| C1 |
–Ingmar Bengtsson & Alf Gabrielsson |
Three Examples Of Polyphonic Rhythm Stimuli Produced On An Electronic Rhythm Box |
| C2 |
–Johan Sundberg |
Soprano Singing And Synthesis |
| C3 |
–Johan Sundberg |
Dissonance And Consonance In Dyads |
| D1 |
–Erik Jansson |
Four Violins In A Reverberration Chamber |
| D2 |
–Erik Jansson |
Violins In Four Different Directions In A Unechoic Chamber |
| D3 |
–Ulf Rosenberg |
Symphony Orchestra In Stockholm Concert Hall |
| D4 |
–Hakon Sjögren |
Music Performed By A Pop-Group |
Reference records. Comes with the book: 'Music Room Acoustics'