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Ennio Morricone - Stanno Tutti Bene (Original Motion Picture Soundtrack) mp3 download

Ennio Morricone - Stanno Tutti Bene (Original Motion Picture Soundtrack) mp3 download
Singer: Ennio Morricone
Title: Stanno Tutti Bene (Original Motion Picture Soundtrack)
Released: 1990
Country: Italy
Style: Soundtrack
Genre: Screen Stage
Rating: 4.6
Votes: 694
Formats: ADX MP4 DXD RA MP2 AUD WMA
MP3 size: 1658 mb

Ennio Morricone - Stanno Tutti Bene (Original Motion Picture Soundtrack) mp3 download

Tracklist

Viaggio
Sogno
La Salina
La Verità
Rondini A Fontana Di Trevi
Solo, Piu Solo
Notte Nera
Lucciole A Milano
Il Cervo Sull'autostrada
Viaggio
Pulce Nell'orecchio
Il Vino E L'uva
Alla Stazione Con I Barboni
Un Po Ridicolo
Nel Tempio
Atelier Barocco
Sfilata Di Moda

Versions

Category Artist Title (Format) Label Category Country Year
COS 700-001 Ennio Morricone Stanno Tutti Bene (Original Motion Picture Soundtrack) ‎(CD, Album) CAM COS 700-001 Italy 1990
COS 001 Ennio Morricone Ils Vont Tous Bien (Stanno Tutti Bene) ‎(CD, Album, Promo) CAM COS 001 Italy 1990
SLCS-7023 Ennio Morricone Stanno Tutti Bene (Original Motion Picture Soundtrack) ‎(CD, Album) Soundtrack Listeners Communications Inc. SLCS-7023 Japan 1990
COS 001 Ennio Morricone Stanno Tutti Bene (Original Motion Picture Soundtrack) ‎(CD, Album) CAM COS 001 Italy 1990
72926 Ennio Morricone Stanno Tutti Bene (Original Motion Picture Soundtrack) ‎(CD, Album) CAM 72926 Italy 1990

Ennio Morricone - Stanno Tutti Bene (Original Motion Picture Soundtrack) mp3 album free

Samowar
I met Ennio Morricone in April 1989. He had just finished reading the screenplay of "Nuovo Cinema Paradiso", wich the producer Cristaldi had sent him although he had refused to compose the soundtrack to the movie. The Maestro stared at me with kind suspect, as if studyng me. I though he called me to justify his unavailability. Then, after a long silence, he asked in a defying tone: "No marranzano?! (Marranzano is a tipical Sicilian instrument) I immediately understood that he was already working on the movie and, due to the Sicilian setting of the story, he was afraid I wanted to follow a folkloristic direction. I smiled and reassured him: "No marranzano!". Morricone smiled too, and we began working. In this way our collaboration began, essentially based on the concept that a film score is not an external structure of the movie, something to superimpose upon a finished work, but is the movie itself.To think of the music, to compose and to play it before beginning to shoot, inspired onlyt by the screenplay, the story and moods of the characters and by their destiny; this in order to then just refine, perfect and measure once the editing is finished, for the images and characters have already found in that music, and only in that, the revelation of their tensions and emotions. In "Stanno Tutti Bene" we followed the same criteria, and in this movie also we have wanted to entice Andrea Morricone to a collaboration. He composed the theme "Sogno" a wish to this father Ennio, to me, and Andrea himself.Giuseppe Tornatore
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