| The Wayward |
| 1 |
I. U.S. Highball - A Musical Account Of A Transcontinental Hobo Trip (1943, Rev. 1955)Conductor – Jack McKenziePerformer [Gate 5 Ensemble (Evanston, Illinois)] – Danlee Mitchell, David Reid, Dick Borden, Elizabeth Gentry, Harry Partch, Melvin Britton, Melvin Wildberger, Michael Colgrass, Thomas Coleman |
25:21
|
| 2 |
II. San Francisco - A Setting Of The Cries Of Two Newsboys On A Foggy Night In The Twenties (1943, Rev. 1955)Organ [Chromelodeon] – Elizabeth GentryPercussion [Kithara Ii] – Danlee MitchellViola [Adapted], Vocals – Harry Partch |
2:29
|
| 3 |
III. The Letter (1943, Rev. 1972)Dulcimer [Harmonic Canon Iii] – Dennis DunnPercussion [New Kithara I], Percussion [Surrogate Kithara] – David DunnPercussion [Omicron Belly Drum] – Randy HoffmanPerformer – Ben Johnston, Betty Johnston, Donald PippinVocals, Percussion [Omicron Belly Drum] – Harry Partch |
2:48
|
| 4 |
IV. Barstow - Eight Hitchhiker Inscriptions From A Highway Railing At Barstow, California (1941, Rev. 1968)Performer [The Harry Partch Ensemble] – Alan Silverstein, Danlee Mitchell, Francis Thumm, Gary Irvine, Randy Hoffman, Ron Caruso |
9:56
|
| And On The Seventh Day Petals Fell In Petaluma (1963–64, Rev. 1966) |
| 5 |
And On The Seventh Day Petals Fell In Petaluma (1963–64, Rev. 1966)Performer [The Gate 5 Ensemble] – Danlee Mitchell, Emil Richards, Harry Partch, Michael Ranta, Stephen Tosh, Wallace Snow |
35:51
|
Track 3 recorded in 1972 in Encinitas and San Diego, California and contained "dubbed-in interludes" from a 1950 performance
Track 5 recorded in 1964 in Petaluma, California and 1966 in Venice, California